Over 800 past events have covered topics such as music publishing, songwriting, music licensing, and artist management, among others. NARIP has also organized pitch sessions where music creators and songwriters can pitch their work to industry professionals for feedback and potential placements.
| Date | Name |
|---|---|
| 2014-02-22 | In Miami – NARIP Music Biz Brunch @ Sandshifter Music
Eat, Meet & Greet! Saturday, February 22, 2014 At Sandshifter Music 
in Miami, FL
You are invited to attend NARIP’s first Music Biz Brunch in Miami on Saturday, February 22, 2014 at Sandshifter Music. Join us, come meet and greet Miami area record and music industry professionals. you need not be a NARIP member to attend. Please RSVP and register online by Friday, February 21, 2014 at 5:00 p.m. so we can prepare enough refreshments for everyone. NARIP encourages pre-payment. Walk-ups are welcome, but be advised the brunch may sell out. So come along to meet existing friends and contacts, and make new ones. NARIP brunches feature 30-second introductions by all present to help you identify and get in front of the people who can make a difference to your business. Professional speed-dating! Among other things, NARIP sponsors events like these to encourage networking and the fostering of business relationships in the record industry. Over 75% of all great opportunities, deals and job offers come about as a direct result of second and third party referrals – who you know matters. So get to know more people in the record biz, and let them get to know you! Please join us and bring plenty of business cards. All are welcome, details below. Is your network not working? Ours is. They can’t promote (or hire) you if they don’t know who you are! WHEN Saturday, February 22, 2014 11:00 a.m. – Arrive and eat! 11:30 a.m. – Introductions 1:00 p.m. – Brunch ends, networking continues WHERE Sandshifter Music (private residence) Club Atlantis 2555 Collins Avenue Suite1009 Miami Beach, FL 33140 COST $15 Price includes food, beverage and event admission. Late-comers will be charged the full rate. Cash only at the door on Event Day please (If there is space still available). We appreciate your cooperation. PARKING & DIRECTIONS Click here for map. QUESTIONS? Call 818-769-7007 or email mary AT narip DOT com Thanks to Gail Vareilles, our generous brunch hostess! Get connected. Stay connected. The National Association of Record Industry Professionals is the biggest music business network in the world. We promote career advancement, education and good will among record executives. |
| 2015-04-05 | In Miami – NARIP Music Biz Brunch @ Meg Production House
NARIP Music Biz Brunches from NARIP on Vimeo. Eat, Meet & Greet! Saturday, April 4, 2015 At Meg Production House in Surfside, FL FREE with RSVP Limited Space Available You are invited to attend NARIP’s Music Biz Brunch in Surfside FL on Saturday, April 4, 2015 at Meg Production House. Join us, come meet and greet Miami area record and music industry professionals. Thanks to Lazaro Rodriguez of Meg Production House, our generous brunch host! you need not be a NARIP member to attend. Please RSVP and register online by Friday, April 3, 2015 at 5:00 p.m. so we can prepare enough refreshments for everyone. NARIP encourages pre-payment. Walk-ups are welcome, but be advised the brunch may sell out. So come along to meet existing friends and contacts, and make new ones. NARIP brunches feature 30-second introductions by all present to help you identify and get in front of the people who can make a difference to your business. Professional speed-dating! Among other things, NARIP sponsors events like these to encourage networking and the fostering of business relationships in the record industry. Over 75% of all great opportunities, deals and job offers come about as a direct result of second and third party referrals – who you know matters. So get to know more people in the record biz, and let them get to know you! Please join us and bring plenty of business cards. All are welcome, details below. “ONE OF THE BEST OPPORTUNITIES TO NETWORK” IN THE BIZ (Music Connection Magazine) “NARIP brunches have been a HUGE benefit for me and my company,” says Geodesic Management’s Dan Strader from New York. “In just a few hours at a Los Angeles brunch, I was able to establish a presence in that city and make solid connections that I still use to this day. Networking brunches have now begun in New York, and the connections we’ve made are career-changing.” WHEN Saturday, April 4, 2015 11:00 a.m. – Arrive and eat! 11:30 a.m. – Introductions 1:00 p.m. – Brunch ends, networking continues WHERE Meg Production House 9565 Byron Ave Surfside FL. 33154 COST Free with RSVP! PARKING & DIRECTIONS Click here for map. QUESTIONS? Call 818-769-7007 or email mary AT narip DOT com Thanks to Lazaro Rodriguez of Meg Production House, our generous brunch host! Get connected. Stay connected. The National Association of Record Industry Professionals is the biggest music business network in the world. We promote career advancement, education and good will among record executives. |
| 2014-02-19 | In Miami – Music Publishing Deal Mock Negotiation *POSTPONED*
You are invited to NARIP’s ART OF THE MUSIC DEAL: What Happens Before You $ign on the Dotted Line?  Mock Negotiation of a Music Publishing Deal with special guest speakers Emilie Kennedy, Esq. & Tom ‘O’Keefe please watch this space for a new date. Thank you. Wednesday, February 19, 2014 in Miami
Come hear a music publishing deal explained and negotiated – live!! NARIP’s “Art of the Music Deal” series features two top experts who will face off in a live negotiation of key deal points and contractual issues in a publishing deal that affect a songwriter’s rights and income. These experts come together to give you the inside track on major deal points, what they mean and what leverage you have to negotiate the best possible deal. Most people think they can just hand a negotiation to a lawyer, and leave it at that. But as a professional, you need to be aware of the process and deal points, too, and what the short- and long-term implications to your artists’ careers may be. NARIP’s series de-mystifies deal-making and enables the lawyer and non-lawyer alike to come away with a clear grasp of the most important deal points and leverage available. Infinitely better than merely READING about it, see the deal duked out and DONE right before your eyes. Most importantly, you will see HOW a publishing deal is negotiated and be involved in the process. Get educated about the art of deal-making! You will learn major areas of negotiation for publishing deals including:
WHO SHOULD ATTEND Music Publishing & Record Executives Producers, Artists, Artist Managers and Artist Reps Music Attorneys, Songwriters & Composers Brand Marketing & Creative Executives Accountants, Business Managers & CPAs SPECIAL GUEST SPEAKERS (scroll down for speaker profiles) Emilie Kennedy, Esq., Lipscomb, Eisenberg & Baker Tom O’Keefe, President, Neurodisc Records & Publishing Tess Taylor, NARIP President (moderator) FOLLOW US, LIKE US, LOVE US! TWEET ABOUT NARIP SPEAKERS & EVENTS Short Event Link: http://bit.ly/NARIP-Pub-Miami This event has been postponed, please watch this space for a new date. Thank you. WHEN Wednesday, February 19, 2014 6:30 p.m. – Registration opens 7:00 p.m. – Program begins 8:15 p.m. – Break 9:45 p.m. – Program ends WHERE Lipscomb, Eisenberg & Baker 2 South Biscayne Boulevard Penthouse 3800 Miami, FL 33131 Click here for map. COST $30 – includes sample music publishing agreement PAYMENT METHODS 1. Online (just scroll down) using PayPal or any major credit card (you need not be a PayPal member) 2. Call 818-769-7007 with credit card 3. Walk-up if space permits. NARIP events sell out, advance registration is recommended. No refunds, all ticket sales final. We appreciate your cooperation. QUESTIONS? Call 818-769-7007 or contact NARIP SOURCES FOR MORE INFORMATION Neurodisc Records & Publishing.com Lipscomb, Eisenberg & Baker NARIP ABOUT THE SPEAKERS  Emilie Kennedy, Esq. Lipscomb, Eisenberg & Baker Emilie Kennedy, Esq. is an associate at Lipscomb, Eisenberg & Baker, P.L. and specializes in intellectual property law with a focus on copyright law and the music industry. Prior to becoming an attorney, Emilie received her master’s in music business from the University of Miami and worked for three years as Vice President of Business Affairs for an independent record label. While in law school, Emilie spent her summers studying copyright law at the University of Cambridge and was a law clerk for the Office of the General Counsel of the United States Copyright Office at the Library of Congress. She is a graduate of Florida International University College of Law where she received her J.D., and of the University of Miami where she received her M.M., and of the University of Vermont. In law school, Emilie received the CALI Excellence for the Future Awards for the highest grades in Internet Law and Antitrust Law and she also was a member of the dean’s list for five out of six semesters. Emilie participated in community service for Catholic Charities Legal Services and interned with the Department of Homeland Security. While in undergraduate and graduate school, Emilie was president of the University of Miami’s student run record label ‘Cane Records and president of the University of Vermont’s student run concert club. Emilie is a Board Member for the Florida Association for Women’s Lawyers.  Tom O’Keefe President & Founder, Neurodisc Records & Publishing, Inc. Tom O’Keefe is President and Founder of Neurodisc Records (est. 1992), one of the longest running indie labels in the business. Primarily an electronic music company, Neurodisc has also established a footprint in New Age, Dance, Pop, Classical and Rock. Tom has merged his love for music and musicianship with a company focused on quality and innovation. He has architected many major label deals for Neurodisc including deals with Priority Records, Capitol Records, Epic Records, EMI Music Marketing and Distribution, and most recently with Universal Music Group and INgrooves / Fontana distribution. You can hear Neurodisc’s music in major Hollywood films such as Mr. and Mrs. Smith (starring Brad Pitt and Angelina Jolie), in independent films and on television. A number of channels – including CNN, MTV, The Weather Channel and others – rely on Neurodisc music for features, specials and background sound. Foreign licensing deals in Japan, throughout Europe and Russia have also been areas of Neurodisc focus. Visibility at MIDEM (Cannes) and the ADE (Amsterdam) have made Neurodisc a go-to indie for United States representation in select genres. Tom is responsible for signing and bringing to market one of today’s most influential and successful Ambient artists, Norway’s Amethystium. To date, Amethystium has created a catalog of releases (all of which charted on Billboard’s Electronic or New Age charts) that appear in commercials and have been included on dozens of world-class chill out compilations internationally. In addition to signing and discovering international artists, Tom focuses on the continued development of Neurodisc artists and electronic production duo Blue Stone, and the Latin electronic act Bella Sonus. Tom has curated and performed A&R services for national projects with major hotel chains, clubs, spas and retailers from concept to fruition, including the “Beauty series” for Barnes & Noble, The W Hotel, Tokyo Hilton, and Borders Books & Music among others. He engineered the concept of licensing foreign music for compilations and modeling them after popular (and VERY expensive) imports, by packaging, marketing and selling them at a domestic price, and bypassing expensive import taxes and duties. With a strong and lean list of producers and artists by his side, Tom’s focus is to grow his label and publishing companies, develop artist careers and present them with opportunities that might otherwise be beyond their reach.  Tess Taylor, President (panel moderator) National Association of Record Industry Professionals Tess Taylor is president of the National Association of Record Industry Professionals, the biggest music business network in the world. She is creator of NARIP’s Music Supervisor Sessions which have yielded 50+ music placements for participants and sold out in Los Angeles, New York, San Francisco, Berlin, Paris and London. Ms. Taylor is also President of the LA Music Network and was instrumental in launching the Mowglis, a pop band now on a major US tour. Selected to perform at the 2011 LAMN Jam Music Contest, the Mowglis won the grand prize and one talent judge signed the band to a management deal. They then got a talent agent, signed with Universal / Photo Finish Records, have been featured on prime-time network TV and are now getting radio airplay on primary market stations across the US. One of the nation’s leading authorities on careers in the music and record industries, Ms. Taylor has connected countless people to jobs and opportunities through her work in the US and abroad, cultivated collaborations for over two decades, helped launch hundreds of projects and several companies. If you’ve read Malcolm Gladwell’s book The Tipping Point then you may recognize her as a “super-connector.” Says Hollywood Today Publisher & Editor Jeffrey Jolson-Colburn, “Tess Taylor is one of the great resources of the music business. She’s a walking job fair. She has amazing insights into where the business is going and combines that savvy with a Rolodex the size of an SUV.” Music Connection magazine named Ms. Taylor in its list of “50 Innovators, Iconoclasts, Groundbreakers & Guiding Lights of 2008” (Dec 2008). Dubbed “International Music Ambassador” by music supervisor P.J. Bloom (Glee, CSI: Miami) and the “Job Whisperer” by Loy Connelly, Ms. Taylor works with many international groups to connect their members to opportunities in Los Angeles and throughout the U.S. She has consulted leading businesses such as InsideSessions (a joint venture between the Universal Music Group and Penguin Putnam, Inc.), The Walt Disney Company, BMG Entertainment (formerly Sony BMG), Concord Records and MySpace.com in its start-up phase. Recent keynotes include Popkomm (Berlin), the Drucker Career Conference (LA), the Trigger Creative Conference (Sweden), the University of Vienna’s Institute für Popularmusik (Austria), NAMM 2011 (LA), the CA Music Industry Summit, Berlin Music Week and others. Deeply annoyed by people who think music should be free, Ms. Taylor is a vigorous defender of intellectual property rights and debated Electronic Frontier Foundation co-founder John Perry Barlow on “free music” at the University of Massachusetts at Dartmouth (2006) and was invited for a rematch at Ohio University (2008). She won both times. She has lectured at institutions across the nation and around the world ranging from the Harvard Business School to local colleges and universities. From 1988 to 1993 Ms. Taylor was employed at MCA Records, Inc., last serving as Associate Director of Marketing. A classically trained pianist, she studied music at the University of Vienna and is a Phi Beta Kappa, Magna Cum Laude graduate of the University of Redlands’ Johnston College where she received her BA degree in music, German and literature. She loves traveling the world, nibbling dark chocolates and drinks lots of tea. She also loves fine fountain pens, anything written or recorded by Glenn Gould or Pete Townshend, gripping crime novels and hiking with her handsome English cocker spaniel Haribo. Ms. Taylor encourages people to adopt pets and not buy them. Get connected. Stay connected. ___________________________________________________ The National Association of Record Industry Professionals is the biggest music business network in the world. We promote career advancement, education and good will among record executives. |
| 2014-02-17 | In Miami – How To Build YOUR Music Biz Network PLUS Music Biz Cocktail Mixer
How To Grow Your Music Business Network Followed by NARIP’s First Music Biz Mixer in Miami Come Meet & Greet!  Monday, February 17, 2014 at Avenue D Downtown in Miami DON’T MISS OTHER NARIP EVENTS IN MIAMI THIS WEEK:
Hello Miami! NARIP is thrilled to come to YOUR town. We launch a week of activities in your fair city with a FREE lecture from NARIP President Tess Taylor followed immediately by NARIP’s Music Business Mixer where you can put her networking tips to the test! Both events are FREE with RSVP, just scroll down. How To Grow YOUR Music Business Network (7:00 p.m.) Don’t be shy! This lecture will help you work a room with confidence and savvy One of the nation’s top authorities on careers in the music business, industry leader Tess Taylor, offers participants her top tips on how to grow their network. Talent and intelligence are good to have, but only through building a team can you succeed in the long-run. This lecture will show you where and how to look for opportunities and how to pitch yourself, your artists and your projects. Most importantly, Tess will share how to connect with others in a meaningful way that will get your phone calls returned and your projects green-lighted. She will also show you how to strip your presentation (in person or in print) down to the essentials, highlighting the achievements and skills that will impress an employer, executive or talent buyer so that you get interviews, deals and show dates! “If you apply the principles learned in my session,” says Tess, “you’ll walk out with practical strategies you can use TODAY and a top-notch resume or press kit and that will set you apart. My workshop has one objective: TO GET YOU CALLED BACK, GET TO ‘YES’ AND HIRED NOW!” Brutal yet sophisticated, critical yet honest, this workshop is not for the weak! Described as “aggressive, rough, raw, vigorous, demanding and merciless,” this approach will get you in shape, making you more efficient, professional and desirable to others in the industry. Filled with humor, real-life examples, and proven strategies, this session isn’t just theory, Tess gets people opportunities and jobs! (See RECENTLY HIRED at www.narip.com). Dubbed “the International Music Ambassador” by P.J. Bloom (music supervisor of the Glee franchise, CSI: Miami) and known as the “Super Connector,” Tess has connected countless people to opportunities through her work in the US and abroad over the course of two decades, A WALKING JOB FAIR “Tess Taylor is one of the great resources of the music business. She’s a walking job fair,” according to Hollywood Today Publisher & Editor, Jeffrey Jolson-Colburn. Not only that, but “Tess has amazing insights into where the business is going and combines that savvy with a Rolodex the size of a SUV.” Says Tess, “It’s never too soon to start acting like a professional and to grow your network.” Come learn how at this special session! To be discussed:
Get these great bonuses when you register:
Following Tess’s lecture, you are invited to attend NARIP’s Music Biz Mixer at Avenue D Blues & Jazz Club in Miami. Join us, come meet and greet other Miami-area music industry professionals. NARIP member to attend. Admission is free with RSVP (just scroll down). Come along to meet existing friends and contacts, and make new ones! Among other things, NARIP sponsors (and co-sponsors) events like these to encourage networking and the fostering of business relationships in the record industry. Over 75% of all great opportunities, deals and job offers come about as a direct result of second and third party referrals – who you know matters. So get to know more people in the record biz, and let them get to know you! Please join us and bring plenty of business cards. All are welcome, details below. Is your network not working? Ours is. They can’t promote you if they don’t know who you are! WHEN Monday, February 17, 2014 7:00 p.m. – How to Build YOUR Music Biz Network by Tess Taylor 8:00 p.m. – NARIP Music Biz Mixer begins 10:00 p.m. – NARIP Music Biz Mixer ends WHERE Avenue D Downtown 8 South Miami Avenue Miami, FL 33130 COST FREE with RSVP (just scroll down) PARKING & DIRECTIONS Click here for map. THANK YOU  Thank you to Pilar Suter at Avenue D Downtown for hosting our event! QUESTIONS? Call 818-769-7007 or email mary AT narip DOT com MORE INFO NARIP Avenue D Jazz & Blues Club ABOUT THE SPEAKER Tess Taylor, President National Association of Record Industry Professionals Tess Taylor is president of the National Association of Record Industry Professionals, the biggest music business network in the world. She is creator of NARIP’s Music Supervisor Sessions which have yielded almost 100 music placements for participants and sold out in Los Angeles, New York, San Francisco, Berlin, Paris and London. Ms. Taylor is also President of the LA Music Network and was instrumental in launching the Mowglis, a pop band now on a major US tour. Selected to perform at the 2011 LAMN Jam Music Contest, the Mowglis won the grand prize and one talent judge signed the band to a management deal. They then got a talent agent, signed with Universal / Photo Finish Records, have been featured on prime-time network TV and are now getting radio airplay on primary market stations across the US. One of the nation’s leading authorities on careers in the music and record industries, Ms. Taylor has connected countless people to jobs and opportunities through her work in the US and abroad, cultivated collaborations for over two decades, helped launch hundreds of projects and several companies. If you’ve read Malcolm Gladwell’s book The Tipping Point then you may recognize her as a “super-connector.” Says Hollywood Today Publisher & Editor Jeffrey Jolson-Colburn, “Tess Taylor is one of the great resources of the music business. She’s a walking job fair. She has amazing insights into where the business is going and combines that savvy with a Rolodex the size of an SUV.” Music Connection magazine named Ms. Taylor in its list of “50 Innovators, Iconoclasts, Groundbreakers & Guiding Lights of 2008” (Dec 2008). Dubbed “International Music Ambassador” by music supervisor P.J. Bloom (Glee, CSI: Miami) and the “Job Whisperer” by Loy Connelly, Ms. Taylor works with many international groups to connect their members to opportunities in Los Angeles and throughout the U.S. She has consulted leading businesses such as InsideSessions (a joint venture between the Universal Music Group and Penguin Putnam, Inc.), The Walt Disney Company, BMG Entertainment (formerly Sony BMG), Concord Records and MySpace.com in its start-up phase. Recent keynotes include Popkomm (Berlin), the Drucker Career Conference (LA), the Trigger Creative Conference (Sweden), the University of Vienna’s Institute für Popularmusik (Austria), NAMM 2011 (LA), the CA Music Industry Summit, Berlin Music Week and others. Deeply annoyed by people who think music should be free, Ms. Taylor is a vigorous defender of intellectual property rights and debated Electronic Frontier Foundation co-founder John Perry Barlow on “free music” at the University of Massachusetts at Dartmouth (2006) and was invited for a rematch at Ohio University (2008). She won both times. She has lectured at institutions across the nation and around the world ranging from the Harvard Business School to local colleges and universities. From 1988 to 1993 Ms. Taylor was employed at MCA Records, Inc., last serving as Associate Director of Marketing. A classically trained pianist, she studied music at the University of Vienna and is a Phi Beta Kappa, Magna Cum Laude graduate of the University of Redlands’ Johnston College where she received her BA degree in music, German and literature. She loves traveling the world, nibbling dark chocolates and drinks lots of tea. She also loves fine fountain pens, anything written or recorded by Glenn Gould or Pete Townshend, gripping crime novels and hiking with her handsome English cocker spaniel Haribo. Ms. Taylor encourages people to adopt pets and not buy them. Get connected. Stay connected. The National Association of Record Industry Professionals is the biggest music business network in the world. We promote career advancement, education and good will among record executives. |
| 2014-05-09 | In London – NARIP Trailer Music Supervisor Session with Ignition Creative’s Natalie Baartz
Intimate Pitch Meetings With Music Supervisors from Film & TV Trailer Houses  with Ignition Creative’s Natalie Baartz on Friday May 9, 2014 in London DETAILS A top-rated music supervisor from one of the leading trailer houses is our special guest at NARIP’s next Music Supervisor Session in London. Natalie Baartz, Music Director for Ignition Creative. Baartz commissions, licenses and places music for global movie trailer campaigns for the world’s biggest blockbusters and independent films. Limited enrollment of 16 people per session guarantees face-time, registrants get brief of supervisor’s CURRENT music needs, a chance to pitch plus immediate feedback. In NARIP’s intimate session, you get to meet and pitch her for current opportunities on the spot, receiving instant feedback as to whether a song is appropriate or not, and WHY. This valuable feedback makes better pitches – and ultimately, placements – possible. In some cases, participants even have time to re-work their music to better fit a supervisors’ needs. ABOUT NATALIE BAARTZ Natalie Baartz has been a Music Supervisor for 11 years. She is currently the Music Director at the movie advertising company, Ignition Creative, over-seeing a department of 4 where she has been for over 3 years. While managing the music department, she is in charge of the music for all projects, servicing the needs for 7 producers and 25 editors. As well as pitching a huge range of commercial artists, she works closely with composers to do custom score and produces original covers. While at Ignition she has been responsible for Best music award winning trailers for Another Earth, Tarantino’s Django Unchained and Kathryn Bigelow’s Zero Dark Thirty. Most recently she has over-seen the music creative for many high profile Movie campaigns such as, The Hobbit trilogy, Out of the Furnace, Lone Survivor and Winter’s Tale. Under Ignition, she also consults for multiple HBO campaigns including Girls, Boardwalk Empire and the record breaking Game of Thrones. She also consults for movies part-time, last year supervising Relativity’s Romeo and Juliet. Prior to Ignition, Natalie worked for 4 years as a Music Supervisor at the Ant Farm trailer house, building a foundation in dealing with the marketing departments of all of the major movie studios. She worked on several prominent campaigns including Warner’s Where The Wild Things Are (which garnered an award for Best Music with the use of Arcade Fire) and Eat Pray Love, (which set Florence and the Machine on the map with the use of Dog Days Are Over). Under Ant Farm she also supervised numerous Video Game trailers. Before getting into Entertainment advertising she spent four years working with Independent Music Supervisor John Bissell. During her time with him, she worked on Studio and Independent Feature films, including Ladder 49, Lord of War, You Kill Me, The Architect, 10th and Wolf, and Junebug. Come meet Natalie! ALMOST 100 PLACEMENTS FROM NARIP MUSIC SUPERVISOR SESSIONS Our small format works! NARIP Session Participants have placed almost 100 tracks as a direct result of NARIP Sessions, most recently in a trailer for the Warner Bros. film Grudge Match starring Robert De Niro and Sylvester Stallone. DON’T GET LOST IN THE CROWD : SMALL IS THE NEW BIG NARIP Sessions are deliberately kept small, which is why they work so well and why participants have enjoyed almost 100 placements. Enrollment at this Session is limited to 16 people who wish to pitch. Pitch registrants get face-time with Rachel, a brief of our guest’s CURRENT music needs prior to the session to help them prepare, time to pitch plus immediate feedback from her. Meet and pitch Rachel for current opportunities. This event also includes general admission seating for those who wish to attend and observe, but not pitch. General admission registrants will have an opportunity to hear the panel discussion portion of the program, ask questions and meet Paul. Placements secured and professional relationships formed through NARIPs music supervisor sessions have earned praise and placements! See TESTIMONIALS and PLACEMENTS sections below. TESTIMONIALS Click here to read what people say about NARIP’s Music Supervisor Sessions. NARIP MUSIC SUPERVISOR SESSIONS IN THE NEWS, PLACEMENTS & SUCCESS STORIES See full list of NARIP placements to date here. For articles in The Guardian (UK), MusikWeek (UK), Musik Woche (Germany), Taxi Drivers: Cinema e Cultura Metropolitano (Italy), MEOW (US) and other publications, and to read about NARIP members and session participants who have made almost 100 placements as a direct result of NARIP Sessions, click here. THANK YOU  Special thanks to Debi Blackgrove and Chris Tams at the British Recorded Music Industry for their help with this series. WHEN Friday May 9, 2014 12:30 p.m. – Registration and networking 1:00 p.m. – Program begins 2:15 p.m. – Break 4:00 p.m. – Program ends WHERE BPI (British Recorded Music Industry) Riverside Building County Hall Westminster Bridge Road London SE1 7JA T: +44 (0)2 0 7803 1300 DIRECTIONS Click here for map. WHO SHOULD ATTEND Artist Managers, Producers & Artist Reps A&R, Artist Development and Marketing Executives Record, Distribution & Music Publishing Executives Anyone seeking placement opportunities in film and film promotional campaigns. PER-SESSION COST £179 NARIP Members * and BPI Members £189 MPA, AIM, BASCA, BMI, ASCAP, MPG, SESAC, PRS members and SongLink subscribers £199 Non-Members Any questions about HOW TO register (discounted or otherwise) please email Mary Bee at mary@narip.com or Sharon Dean at sharon@narip.com and let them know your affiliation. * Available to Professional and Executive NARIP Members only (not monthly members). Members please log in to receive discount. NOT ABLE TO ATTEND IN PERSON? At most NARIP events we provide the ability for you to “attend” virtually live via chat. Other options include having one of your representatives (or a NARIP rep) pitch for you. Please inquire and email mary@narip.com for more details. 2 WAYS TO REGISTER 1. Online: www.narip.com (just scroll down) 2. Phone: 818-769-7007 (US) or 0203-002-8247 (UK local call) Advance RSVP encouraged. Pre-paid admission guarantees seating. No refunds. We appreciate your cooperation. QUESTIONS Call us at 818 769 7007 or email mary AT narip DOT com. SOURCES FOR MORE INFO BPI Ignition Creative NARIP Get connected. Stay connected. ____________________________________________________ The National Association of Record Industry Professionals is the biggest music business network in the world, now in nine major cities. We promote career advancement, education and good will among record executives. |
| 2014-11-06 | In London – NARIP Music Supervisor Session with Search Party Music’s Eric Johnson *POSTPONED*
NARIP Music Supervisor Sessions: Intimate Pitch Meetings With Top Music Supervisors  with Search Party Music’s Eric Johnson on Thursday, November 6, 2014 in London, England DETAILS Eric Johnson is our special guest at this NARIP Brand / Advertising Music Supervisor Session in London. Limited enrollment of 16 people per session guarantees face-time, registrants get brief of supervisor’s CURRENT music needs, a chance to pitch plus immediate feedback. In NARIP’s intimate session, you get to meet and pitch the supervisor for current opportunities. ABOUT ERIC JOHNSON Eric David Johnson (aka DJ Bunny Ears) is a music supervisor, DJ, director, musician, filmmaker, writer, artist, curator, futurist, photographer and producer. Rooted as an independent artist, he has have spent over fourteen years in the advertising industry, working first at Wieden + Kennedy then at Young & Rubicam New York, DDB Chicago and now at Search Party Music as the Executive Producer. Johnson has worked with such clients as Nike, Coke, Target, Pepsico, Budweiser, Reebok, McDonald’s, LG, Honda, MTV, VH1, Nokia, Campbell’s, ESPN, Bacardi, Dell, Gatorade, NHL, Land Rover, Diet Coke, NASCAR, Xerox, Accenture, State Farm, Colgate, Starbucks, Oreo, EA Games, Mars/Wrigley’s, Skittles, Starburst, TED, IDEO, etc.?? Johnson has also directed award-winning TV commercials for Nike, as well as music videos for M. Ward, Cursive and Chin Up Chin Up. Currently living in New Jersey, he performs /plays in the bands, Pulseprogamming and Riddenpaa, co-operates the independent record label Fryk Beat, and DJs in the crew, Silent Knights. ??Professionally, Johnson works from a music-centric POV and is a Creative/Production hybrid and regularly participates industry-wide in panels, juries and conferences such as: SXSW, CMJ, MIDEM, AICPs, CLIOs, London International Awards and others. Come meet this career-maker. ALMOST 200 PLACEMENTS FROM NARIP MUSIC SUPERVISOR SESSIONS Our small format works! NARIP Session participants have placed almost 200 tracks as a direct result of NARIP Sessions. DON’T GET LOST IN THE CROWD : SMALL IS THE NEW BIG NARIP Sessions are deliberately kept small and intimate, which is just one reason they work so well and why participants have enjoyed almost 200 placements to date. Limited enrollment of 16 people per session guarantees that registrants meet and get face-time with our guest. Registrants also get a brief of the guest supervisor’s CURRENT music needs, a chance to pitch plus immediate feedback at each session, taking the mystery out of why a piece of music does or doesn’t fit. On-the-spot feedback enables registrants to re-work tracks and get them licensed. Placements secured and professional relationships formed through NARIPs music supervisor sessions have earned praise and placements! See TESTIMONIALS and PLACEMENTS sections below. TESTIMONIALS Click here to read what people say about NARIP’s Music Supervisor Sessions. NARIP MUSIC SUPERVISOR SESSIONS IN THE NEWS, PLACEMENTS & SUCCESS STORIES See full list of NARIP placements to date here. For articles in The Guardian (UK), MusikWeek (UK), Musik Woche (Germany), Taxi Drivers: Cinema e Cultura Metropolitano (Italy), MEOW (US) and other publications, and to read about NARIP members and session participants who have made almost 100 placements as a direct result of NARIP Sessions, click here. THANK YOU Special thanks to Debi Beacock (Blackgrove) and Chris Tams at the British Recorded Music Industry for their help with this series. EVENT with Eric Johnson POSTPONED WHEN Thursday, November 6, 2014 – Event postponed, new date announced shortly 10:00 a.m. – Registration and networking 10:30 a.m. – Program begins 11:15 a.m. – Break 1:30 p.m. – Program ends WHERE BPI (British Recorded Music Industry) Riverside Building County Hall Westminster Bridge Road London SE1 7JA T: +44 (0)2 0 7803 1300 DIRECTIONS Click here for map. WHO SHOULD ATTEND Artist Managers, Producers & Artist Reps A&R, Artist Development and Marketing Executives Record, Distribution & Music Publishing Executives Anyone seeking placement opportunities in film and film promotional campaigns. PER-SESSION COST £179 NARIP Members * and BPI Members £189 MPA, AIM, BASCA, BMI, ASCAP, MPG, SESAC, PRS, Featured Artists Coalition, Music Manager Forum members and SongLink subscribers £199 Non-Members Any questions about HOW TO register (discounted or otherwise) please email Mary Bee at mary@narip.com or Sharon Dean and let them know your affiliation. * Available to Professional and Executive NARIP Members only (not monthly members). Members please log in to receive discount. NOT ABLE TO ATTEND IN PERSON? At most NARIP events we provide the ability for you to “attend” virtually live via chat. Other options include having one of your representatives (or a NARIP rep) pitch for you. Please inquire and email mary@narip.com for more details. 2 WAYS TO REGISTER 1. Online: www.narip.com (just scroll down) 2. Phone: 818-769-7007 (US) or 0203-002-8247 (UK local call) Advance RSVP encouraged. Pre-paid admission guarantees seating. No refunds. We appreciate your cooperation. QUESTIONS Call us at 818 769 7007 or email mary AT narip DOT com. SOURCES FOR MORE INFO BPI Search Party Music NARIP Get connected. Stay connected. ____________________________________________________ The National Association of Record Industry Professionals is the biggest music business network in the world, now in nine major cities. We promote career advancement, education and good will among record executives. |
| 2014-11-06 | In London – NARIP Music Supervisor Session with Matt Biffa (Snatch, Harry Potter, Made in Chelsea)
Intimate Pitch Meetings With Top Music Supervisors  with Matt Biffa on Thursday, November 6, 2014 in London, England DETAILS Matt Biffa is our special guest at this NARIP Music Supervisor Session in London. Limited enrollment of 16 people per session guarantees face-time, registrants get brief of supervisor’s CURRENT music needs, a chance to pitch plus immediate feedback. In NARIP’s intimate session, you get to meet and pitch the supervisor for current opportunities. ABOUT MATT BIFFA After buying T-Rex’s “Ride A White Swan”, Matt began stealing from his parents’ record collection and watched taped episodes of “The Old Grey Whistle Test” more times than was strictly healthy for an impressionable young mind. He spent his seventeenth year listening to nothing but Tom Waits’ “Rain Dogs” and “Swordfishtrombones”, something he is convinced is responsible for his belief that Radiohead’s “Kid A” is a nice pop record. Matt joined Air-Edel in 1996. He was quickly recognized as something of an anorak / musical know-all, and cut his creative teeth sourcing music for commercials, such as Jonathan Glazer’s “Guinness – Swimblack” campaign. During this time he began cultivating relationships with key members of the music industry, an activity also known as “ligging”. This stood him in good stead when he began clearing songs for feature films, but did nothing for his health. As well as having a disturbingly encyclopaedic knowledge of the history of popular music, he has garnered a reputation for being a canny negotiator. He considers one of the high points of his career to be “Harry Potter & The Goblet Of Fire”, for which he put together a wizarding rock group consisting of Jarvis Cocker from Pulp, and Jonny Greenwood and Philip Selway from Radiohead. He’s also very quietly proud of being the man responsible for putting Nick Cave’s “O Children” in a Harry Potter film. Biffa is known for his work on Snatch, Harry Potter and the Goblet of Fire, and Harry Potter and the Deathly Hallows: Part 1. Current projects include London Fields, Paddington and Posh. Other credits include Frank, Filth, Top Boy (TV Series), The Numbers Station, The Crash Reel, Fresh Meat (TV Series), Made in Chelsea (TV Series), Unfinished Song, Seven Psychopaths, Killer Elite (music supervisor), Combat Hospital (TV Series), Sirens (TV Series) and others. Come meet this career-maker. ALMOST 200 PLACEMENTS FROM NARIP MUSIC SUPERVISOR SESSIONS Our small format works! NARIP Session participants have placed almost 200 tracks as a direct result of NARIP Sessions. DON’T GET LOST IN THE CROWD : SMALL IS THE NEW BIG NARIP Sessions are deliberately kept small and intimate, which is just one reason they work so well and why participants have enjoyed almost 200 placements to date. Limited enrollment of 16 people per session guarantees that registrants meet and get face-time with our guest. Registrants also get a brief of the guest supervisor’s CURRENT music needs, a chance to pitch plus immediate feedback at each session, taking the mystery out of why a piece of music does or doesn’t fit. On-the-spot feedback enables registrants to re-work tracks and get them licensed. Placements secured and professional relationships formed through NARIPs music supervisor sessions have earned praise and placements! See TESTIMONIALS and PLACEMENTS sections below. TESTIMONIALS Click here to read what people say about NARIP’s Music Supervisor Sessions. NARIP MUSIC SUPERVISOR SESSIONS IN THE NEWS, PLACEMENTS & SUCCESS STORIES See full list of NARIP placements to date here. For articles in The Guardian (UK), MusikWeek (UK), Musik Woche (Germany), Taxi Drivers: Cinema e Cultura Metropolitano (Italy), MEOW (US) and other publications, and to read about NARIP members and session participants who have made almost 100 placements as a direct result of NARIP Sessions, click here. THANK YOU Special thanks to Debi Beacock (Blackgrove) and Chris Tams at the British Recorded Music Industry for their help with this series. WHEN Thursday, November 6, 2014 10:00 a.m. – Registration and networking 10:30 a.m. – Program begins 11:15 a.m. – Break 1:30 p.m. – Program ends WHERE BPI (British Recorded Music Industry) Riverside Building County Hall Westminster Bridge Road London SE1 7JA T: +44 (0)2 0 7803 1300 DIRECTIONS Click here for map. WHO SHOULD ATTEND Artist Managers, Producers & Artist Reps A&R, Artist Development and Marketing Executives Record, Distribution & Music Publishing Executives Anyone seeking placement opportunities in film and TV. PER-SESSION COST £179 NARIP Members * and BPI Members £189 MPA, AIM, BASCA, BMI, ASCAP, MPG, SESAC, PRS, Featured Artists Coalition, Music Manager Forum members and SongLink subscribers £199 Non-Members Any questions about HOW TO register (discounted or otherwise) please email Mary Bee at mary@narip.com or Sharon Dean and let them know your affiliation. * Available to Professional and Executive NARIP Members only (not monthly members). Members please log in to receive discount. NOT ABLE TO ATTEND IN PERSON? At most NARIP events we provide the ability for you to “attend” virtually live via chat. Other options include having one of your representatives (or a NARIP rep) pitch for you. Please inquire and email mary@narip.com for more details. 2 WAYS TO REGISTER 1. Online: NARIP.com (just scroll down) 2. Phone: 818-769-7007 (US) or 0203-002-8247 (UK local call) Advance RSVP encouraged. Pre-paid admission guarantees seating. No refunds. We appreciate your cooperation. QUESTIONS Call us at 818 769 7007 or email mary AT narip DOT com. SOURCES FOR MORE INFO Get connected. Stay connected. ____________________________________________________ The National Association of Record Industry Professionals is the biggest music business network in the world, now in nine major cities. We promote career advancement, education and good will among record executives. |
| 2015-01-16 | In London – NARIP Music Supervisor Session with Lauren King
Intimate Pitch Meetings With Top Music Supervisors  with Matt Biffa on Friday January 16, 2015 in London, England DETAILS Lauren King is our special guest at this NARIP Music Supervisor Session in London. Limited enrollment of 16 people per session guarantees face-time, registrants get brief of supervisor’s CURRENT music needs, a chance to pitch plus immediate feedback. In NARIP’s intimate session, you get to meet and pitch the supervisor for current opportunities. ABOUT LAUREN KING Lauren King is Executive Producer and Head of Music for Young & Rubicam (Y&R) New York where she works with global brands such as Dell, Bank of America, Land Rover, Campbells and others. Previously she was Head of Music & Talent at ad agency Mother where she orchestrated the Sour Patch Kids / Method Man deal that won a Bronze Cannes Lion award. Lauren was in radio as a DJ and in television before moving to advertising, and has worked at other global agencies including Deutsch and TBWA\Chiat\Day. Recognition for her work includes winning the Global Kraft Marketing Excellence Award and Social Media Influencer for “Best Social Video” & AICP / Next Award Product Integration. She was nominated for Billboard Women in Music in 2012 and is the subject of feature article in Billboard Magazine “Music’s Mad Men” (Oct 2012). Come meet this career-maker. ALMOST 200 PLACEMENTS FROM NARIP MUSIC SUPERVISOR SESSIONS Our small format works! NARIP Session participants have placed almost 200 tracks as a direct result of NARIP Sessions. DON’T GET LOST IN THE CROWD : SMALL IS THE NEW BIG NARIP Sessions are deliberately kept small and intimate, which is just one reason they work so well and why participants have enjoyed almost 200 placements to date. Limited enrollment of 16 people per session guarantees that registrants meet and get face-time with our guest. Registrants also get a brief of the guest supervisor’s CURRENT music needs, a chance to pitch plus immediate feedback at each session, taking the mystery out of why a piece of music does or doesn’t fit. On-the-spot feedback enables registrants to re-work tracks and get them licensed. Placements secured and professional relationships formed through NARIPs music supervisor sessions have earned praise and placements! See TESTIMONIALS and PLACEMENTS sections below. TESTIMONIALS Click here to read what people say about NARIP’s Music Supervisor Sessions. NARIP MUSIC SUPERVISOR SESSIONS IN THE NEWS, PLACEMENTS & SUCCESS STORIES See full list of NARIP placements to date here. For articles in The Guardian (UK), MusikWeek (UK), Musik Woche (Germany), Taxi Drivers: Cinema e Cultura Metropolitano (Italy), MEOW (US) and other publications, and to read about NARIP members and session participants who have made almost 100 placements as a direct result of NARIP Sessions, click here. THANK YOU Special thanks to Debi Beacock (Blackgrove) and Chris Tams at the British Recorded Music Industry for their help with this series. WHEN Friday January 16, 2015 10:00 a.m. – Registration and networking 10:30 a.m. – Program begins 11:15 a.m. – Break 1:30 p.m. – Program ends WHERE BPI (British Recorded Music Industry) Riverside Building County Hall Westminster Bridge Road London SE1 7JA T: +44 (0)2 0 7803 1300 DIRECTIONS Click here for map. WHO SHOULD ATTEND Artist Managers, Producers & Artist Reps A&R, Artist Development and Marketing Executives Record, Distribution & Music Publishing Executives Anyone seeking placement opportunities in film and TV. PER-SESSION COST £179 NARIP Members * and BPI Members £189 MPA, AIM, BASCA, BMI, ASCAP, MPG, SESAC, PRS, Featured Artists Coalition, Music Manager Forum members and SongLink subscribers £199 Non-Members Any questions about HOW TO register (discounted or otherwise) please email Mary Bee at mary@narip.com or Sharon Dean and let them know your affiliation. * Available to Professional and Executive NARIP Members only (not monthly members). Members please log in to receive discount. NOT ABLE TO ATTEND IN PERSON? At most NARIP events we provide the ability for you to “attend” virtually live via chat. Other options include having one of your representatives (or a NARIP rep) pitch for you. Please inquire and email mary@narip.com for more details. 2 WAYS TO REGISTER 1. Online: NARIP.com (just scroll down) 2. Phone: 818-769-7007 (US) or 0203-002-8247 (UK local call) Advance RSVP encouraged. Pre-paid admission guarantees seating. No refunds. We appreciate your cooperation. QUESTIONS Call us at 818 769 7007 or email mary AT narip DOT com. SOURCES FOR MORE INFO Get connected. Stay connected. ____________________________________________________ The National Association of Record Industry Professionals is the biggest music business network in the world, now in nine major cities. We promote career advancement, education and good will among record executives. |
| 2013-09-02 | In London – NARIP Music Supervisor Session -w- VH1’s Paul Logan (1:00 pm)
Intimate Meeting & Pitch Session with Top Music Supervisors  Session with VH1’s Paul Logan on Monday, September 2, 2013 (1:00 pm) at The BPI in London, England DETAILS Music supervisor Paul Logan is our special guest at this NARIP Music Supervisor Session in London. Logan commissions, licenses and places music for hit television programs (Single Ladies movie and series, Basketball Wives, Couples Therapy, and many more). Limited enrollment of 16 people per session guarantees face-time with him, registrants get brief of his CURRENT music needs prior to the session to help them better prepare, a chance to pitch plus immediate feedback from him to YOUR material. In NARIP’s intimate session, you get to meet and pitch him for current opportunities. ABOUT PAUL LOGAN Music supervisor Paul Logan has worked in VH1’s Los Angeles and New York offices for 7 years, and soon transfers to its Nashville operations. He implements featured music placements for a wide range of programming. Current projects include Basketball Wives LA, Black Ink Crew, and Chrissy & Mr. Jones. Other credits include the Single Ladies movie and series, Hit The Floor, Couples Therapy, Basketball Wives, Styled By June, Baseball Wives, Saddle Ranch, Beverly Hills Fabulous, Audrina, and more. Paul’s previous experience includes Music & Talent Relations at MTV and Music Marketing at VH1. Come meet Paul! SMALL IS THE NEW BIG NARIP’s small sessions (limited enrollment of 16 people per session) guarantee face-time with our guest, registrants get brief of supervisor’s CURRENT music needs, a chance to pitch plus immediate feedback. You get to meet and pitch our guest for current opportunities on the spot, receiving instant feedback as to whether a song or cue is appropriate or not, and most importantly, WHY. This feedback makes better pitches – and ultimately, placements – possible. Participants even have the opportunity to re-work music to better fit a supervisor’s needs. Placements secured and professional relationships formed through NARIP”s music supervisor sessions have earned praise and and placements! See TESTIMONIALS and PLACEMENTS sections below. TESTIMONIALS Click here to read what people say about NARIP’s Music Supervisor Sessions. NARIP MUSIC SUPERVISOR SESSIONS IN THE NEWS, PLACEMENTS & SUCCESS STORIES For articles in The Guardian (UK), MusikWeek (UK), Musik Woche (Germany), Taxi Drivers: Cinema e Cultura Metropolitano (Italy), MEOW (US) and other publications, and to read about NARIP members and session participants who have made over 50 placements since inception of NARIP’s series last year, click here. We’re delighted to report the most recent placement, “I Wanna Be Your Man” written by John Lennon and Paul McCartney as performed by Mobley in the August 11, 2013 episode of True Blood. The song will also be included on the True Blood soundtrack album: True Blood Music From The Original Series Volume 4. This placement was featured in a New York Times article. THANK YOU Special thanks to Debi Blackgrove and Chris Tams at the British Recorded Music Industry for their help with this series. WHEN Monday September 2, 2013 12:30 p.m. – Registration and networking 1:00 p.m. – Program begins 2:15 p.m. – Break 4:00 p.m. – Program ends 5:30 p.m. – Invitation-only networking drinks with Paul Logan for registrants of this NARIP session (paying bar) at the Century Club located at 61-63 Shaftesbury Avenue, London W1 WHERE: BPI (British Recorded Music Industry) Riverside Building County Hall Westminster Bridge Road London SE1 7JA T: +44 (0)2 0 7803 1300 DIRECTIONS Click here for map. . WHO SHOULD ATTEND Artist Managers, Producers & Artist Reps A&R, Artist Development and Marketing Executives Record, Distribution & Music Publishing Executives Anyone seeking placement opportunities in film and film promotional campaigns. PER-SESSION COST £179 NARIP Members * and BPI Members £189 Believe Digital, MPA, AIM, BASCA, BMI, ASCAP, MPG, SESAC, PRS members and SongLink subscribers £199 Non-Members Any questions about HOW TO register (discounted or otherwise) please email Mary Bee at mary@narip.com or Sharon Dean at sharon@narip.com and let them know your affiliation. * Available to Professional and Executive NARIP Members only (not monthly members). Members please log in to receive discount. 2 WAYS TO REGISTER 1. Online: www.narip.com (just scroll down) 2. Phone: 818-769-7007 (US) or 0203-002-8247 (UK local call) Advance RSVP encouraged. Pre-paid admission guarantees seating. No refunds. We appreciate your cooperation. BONUS Registrants of this September 2nd NARIP session are invited to private networking drinks (paying bar) with Paul Logan at the Century Club on Monday or Tuesday evening (Sep 2nd or 3rd). Exact date to be confirmed. . QUESTIONS Call us at 818 769 7007 or email mary AT narip DOT com. SOURCES FOR MORE INFO VH1 BPI NARIP Get connected. Stay connected. ____________________________________________________ The National Association of Record Industry Professionals is the biggest music business network in the world, now in nine major cities. We promote career advancement, education and good will among record executives. |
| 2013-02-19 | In London – NARIP Music Supervisor Session -w- Trailer Park’s Bobby Gumm ***SOLD OUT***
Intimate Meeting & Pitch Session With Music Supervisor from Hollywood, CA Trailer Park’s Bobby Gumm  on Tuesday, February 19, 2013 (1:00 p.m.) at the BPI in London DETAILS A top-rated music supervisor in Los Angeles is our special guest at NARIP’s next Music Supervisor Session in London: Trailer Park’s Bobby Gumm. Gumm commissions, licenses and places music for global feature film trailer campaigns for the world’s biggest blockbusters as well as for independent films, global advertising campaigns and television. Limited enrollment of 16 people per session guarantees face-time, registrants get brief of supervisor’s CURRENT music needs, a chance to pitch plus immediate feedback. In NARIP’s intimate session, you get to meet and pitch him for current opportunities. Trailers – which represents a large part of Gumm’s client work – have skyrocketed in recent years as an important and lucrative vehicle for music licensing. Synch fees for music in trailers tend to be larger because the rights requested tend to be more broad (worldwide, in perpetuity, used in every possible media). Also, trailers are typically part of a film’s marketing budget rather than its music budget, with film marketing budgets almost always many times larger than music budgets. One senior music executive at Fox Studios says that the music budget for a film is rarely larger than 3% of its overall budget, if that. ABOUT BOBBY GUMM Bobby Gumm is a Music Director at Trailer Park, a large multi-faceted ad agency that specializes in movie trailers. Prior to Trailer Park he began his career at Intralink Film and then spent several years with Flyer Entertainment. With almost a decade of music supervision experience, Gumm has supervised well over one hundred trailers including Batman Begins, Up, Avatar, J Edgar and Batman: Arkham City. Some of his recent credits include trailers for The Dark Knight Rises, Anchorman 2, The Great Gatsby, Brave, Horrible Bosses, Pacific Rim, Iron Man 3, the Incredible Burt Wonderstone, Texas Chainsaw Massacre 3D and Guilt Trip. Come meet this career-maker. SMALL IS THE NEW BIG NARIP’s small sessions (limited enrollment of 16 people per session) guarantee face-time with our guest, registrants get brief of supervisor’s CURRENT music needs, a chance to pitch plus immediate feedback. You get to meet and pitch our guest for current opportunities on the spot, receiving instant feedback as to whether a song or cue is appropriate or not, and most importantly, WHY. This feedback makes better pitches – and ultimately, placements – possible. Participants even have the opportunity to re-work music to better fit a supervisor’s needs. Placements secured and professional relationships formed through NARIP”s music supervisor sessions have earned praise and and placements! See TESTIMONIALS and PLACEMENTS sections below. TESTIMONIALS Click here to read what people say about NARIP’s Music Supervisor Sessions. NARIP MUSIC SUPERVISOR SESSIONS IN THE NEWS, PLACEMENTS & SUCCESS STORIES For articles in The Guardian (UK), MusikWeek (UK), Musik Woche (Germany), Taxi Drivers: Cinema e Cultura Metropolitano (Italy), MEOW (US) and other publications, and to read about NARIP members and session participants who have made over 20 placements since inception of NARIP’s series last year, click here. We’re delighted to report the most recent placement, The Chris Bergson Band’s song “Rain Beatin’ Down” that has been licensed for the rest of the season on ESPN for all of NASCAR programming. THANK YOU Special thanks to Debi Blackgrove and Julian Wall at the British Recorded Music Industry for their help with this series. WHEN Tuesday, February 19, 2013 (1:00 p.m.) 12:30 p.m. – Registration and networking 1:00 p.m. – Program begins 2:15 p.m. – Break 3:30 p.m. – Program ends The 1:00 p.m. session is SOLD OUT. To be wait-listed, please email mary@narip.com. WHERE BPI (British Recorded Music Industry) Riverside Building County Hall Westminster Bridge Road London SE1 7JA T: +44 (0)2 0 7803 1300 DIRECTIONS Click here for map. . WHO SHOULD ATTEND Artist Managers, Producers & Artist Reps A&R, Artist Development and Marketing Executives Record, Distribution & Music Publishing Executives Anyone seeking placement opportunities in film and film promotional campaigns. COST £179 NARIP Members * and BPI Members £189 MPA, AIM, BASCA, PRS members and SongLink subscribers £199 Non-Members Any questions about HOW TO register (discounted or otherwise) please email Mary Bee at mary AT narip DOT com and let her know your affiliation. * Available to Professional and Executive NARIP Members only. Members please log in to receive discount. 2 WAYS TO REGISTER 1. Online: www.narip.com (just scroll down) 2. Phone: 0203-002-8247 (UK local call) Advance RSVP encouraged. Pre-paid admission guarantees seating. No refunds. We appreciate your cooperation. QUESTIONS Call us at 0203-002-8247 (UK local call) or email mary AT narip DOT com. SOURCES FOR MORE INFO Trailer Park British Recorded Music Industry NARIP Get connected. Stay connected. ____________________________________________________ The National Association of Record Industry Professionals is the biggest music business network in the world, now in nine major cities. We promote career advancement, education and good will among record executives. . |
| 2013-02-19 | In London – NARIP Music Supervisor Session -w- Trailer Park’s Bobby Gumm ***SOLD OUT***
Intimate Meeting & Pitch Session With Music Supervisor from Hollywood, CA Trailer Park’s Bobby Gumm on Tuesday, February 19, 2013 (5:00 p.m.) at the BPI in London 1:00 p.m. Session is SOLD OUT DETAILS A top-rated music supervisor in Los Angeles is our special guest at NARIP’s next Music Supervisor Session in London: Trailer Park’s Bobby Gumm. Gumm commissions, licenses and places music for global feature film trailer campaigns for the world’s biggest blockbusters as well as for independent films, global advertising campaigns and television. Limited enrollment of 16 people per session guarantees face-time, registrants get brief of supervisor’s CURRENT music needs, a chance to pitch plus immediate feedback. In NARIP’s intimate session, you get to meet and pitch him for current opportunities. Trailers – which represents a large part of Gumm’s client work – have skyrocketed in recent years as an important and lucrative vehicle for music licensing. Synch fees for music in trailers tend to be larger because the rights requested tend to be more broad (worldwide, in perpetuity, used in every possible media). Also, trailers are typically part of a film’s marketing budget rather than its music budget, with film marketing budgets almost always many times larger than music budgets. One senior music executive at Fox Studios says that the music budget for a film is rarely larger than 3% of its overall budget, if that. ABOUT BOBBY GUMM Bobby Gumm is a Music Director at Trailer Park, a large multi-faceted ad agency that specializes in movie trailers. Prior to Trailer Park he began his career at Intralink Film and then spent several years with Flyer Entertainment. With almost a decade of music supervision experience, Gumm has supervised well over one hundred trailers including Batman Begins, Up, Avatar, J Edgar and Batman: Arkham City. Some of his recent credits include trailers for The Dark Knight Rises, Anchorman 2, The Great Gatsby, Brave, Horrible Bosses, Pacific Rim, Iron Man 3, the Incredible Burt Wonderstone, Texas Chainsaw Massacre 3D and Guilt Trip. Come meet this career-maker. SMALL IS THE NEW BIG NARIP’s small sessions (limited enrollment of 16 people per session) guarantee face-time with our guest, registrants get brief of supervisor’s CURRENT music needs, a chance to pitch plus immediate feedback. You get to meet and pitch our guest for current opportunities on the spot, receiving instant feedback as to whether a song or cue is appropriate or not, and most importantly, WHY. This feedback makes better pitches – and ultimately, placements – possible. Participants even have the opportunity to re-work music to better fit a supervisor’s needs. Placements secured and professional relationships formed through NARIP”s music supervisor sessions have earned praise and and placements! See TESTIMONIALS and PLACEMENTS sections below. TESTIMONIALS Click here to read what people say about NARIP’s Music Supervisor Sessions. NARIP MUSIC SUPERVISOR SESSIONS IN THE NEWS, PLACEMENTS & SUCCESS STORIES For articles in The Guardian (UK), MusikWeek (UK), Musik Woche (Germany), Taxi Drivers: Cinema e Cultura Metropolitano (Italy), MEOW (US) and other publications, and to read about NARIP members and session participants who have made over 20 placements since inception of NARIP’s series last year, click here. We’re delighted to report the most recent placements, Gail Vareilles places a song in the star-studded Movie 43, and The Chris Bergson Band’s song “Rain Beatin’ Down” has been licensed for the rest of the season on ESPN for all of NASCAR programming. FOLLOW US, LIKE US, LOVE US! TWEET ABOUT OUR SPEAKERS & EVENT Event Short Link: http://bit.ly/NARIP-London-Gumm-2 THANK YOU Special thanks to Debi Blackgrove and Julian Wall at the British Recorded Music Industry for their help with this series. 5:00 p.m. Session is SOLD OUT 1:00 p.m. Session is SOLD OUT WHEN Tuesday, February 19, 2013 (5:00 p.m.) 4:30 p.m. – Registration and networking 5:00 p.m. – Program begins 6:15 p.m. – Break 7:30 p.m. – Program ends WHERE BPI (British Recorded Music Industry) Riverside Building County Hall Westminster Bridge Road London SE1 7JA T: +44 (0)2 0 7803 1300 DIRECTIONS Click here for map. . WHO SHOULD ATTEND Artist Managers, Producers & Artist Reps A&R, Artist Development and Marketing Executives Record, Distribution & Music Publishing Executives Anyone seeking placement opportunities in film and film promotional campaigns. COST £179 NARIP Members * and BPI Members £189 MPA, AIM, BASCA, PRS members and SongLink subscribers £199 Non-Members Any questions about HOW TO register (discounted or otherwise) please email Mary Bee at mary AT narip DOT com and let her know your affiliation. * Available to Professional and Executive NARIP Members only. Members please log in to receive discount. 2 WAYS TO REGISTER 1. Online: www.narip.com (just scroll down) 2. Phone: 0203-002-8247 (UK local call) Advance RSVP encouraged. Pre-paid admission guarantees seating. No refunds. We appreciate your cooperation. QUESTIONS Call us at 0203-002-8247 (UK local call) or email mary AT narip DOT com. SOURCES FOR MORE INFO Trailer Park British Recorded Music Industry NARIP Get connected. Stay connected. ____________________________________________________ The National Association of Record Industry Professionals is the biggest music business network in the world, now in nine major cities. We promote career advancement, education and good will among record executives. . |
| 2014-01-24 | In London – NARIP Music Supervisor Session -w- Tonic’s Susan Stone **SOLD OUT**
Intimate Meeting & Pitch Session with Top Music Supervisors  Session with Tonic Music’s Susan Stone on Friday, January 24, 2013 (1:00 pm) at The BPI in London, England DETAILS Music supervisor Susan Stone is our special guest at this NARIP Music Supervisor Session in London. Susan’s recent clients include Spotify, Google, Christian Dior, Jaguar and Nike among others. Limited enrollment of 16 people per session guarantees face-time with her, registrants get brief of her CURRENT music needs prior to the session to help them better prepare, a chance to pitch plus immediate feedback from her to YOUR material. In NARIP’s intimate session, you get to meet and pitch her for current opportunities. ABOUT SUSAN STONE Susan runs a creative shop, Tonic Music, specializing in music as a layer of communication. Clients include Spotify, Google, Christian Dior, Jaguar and Nike; agencies such as BBH, Droga5 and Wieden+Kennedy; and entertainment companies including EA, PlayStation and Warner Brothers. Armed with a background in choreography and a Masters degree in music psychology, her approach is a mixture of art and science. In addition, she runs a record club that has been featured in Time Out, and is the music partner to Internet Week Europe. She was recently voted into the Hospital Club & Guardian Culture 100 (Music), and recognized as one of Business Insider’s 33 Most Creative Women in Advertising. A personal favorite project is the Axe ‘Even Angels Will Fall’ campaign, winner of the 2012 Cannes Grand Prix for Creative Effectiveness. Come meet Susan! SMALL IS THE NEW BIG NARIP’s small sessions (limited enrollment of 16 people per session) guarantee face-time with our guest, registrants get brief of supervisor’s CURRENT music needs, a chance to pitch plus immediate feedback. You get to meet and pitch our guest for current opportunities on the spot, receiving instant feedback as to whether a song or cue is appropriate or not, and most importantly, WHY. This feedback makes better pitches – and ultimately, placements – possible. Participants even have the opportunity to re-work music to better fit a supervisor’s needs. Placements secured and professional relationships formed through NARIP”s music supervisor sessions have earned praise and and placements! See TESTIMONIALS and PLACEMENTS sections below. TESTIMONIALS Click here to read what people say about NARIP’s Music Supervisor Sessions. NARIP MUSIC SUPERVISOR SESSIONS IN THE NEWS, PLACEMENTS & SUCCESS STORIES For articles in The Guardian (UK), MusikWeek (UK), Musik Woche (Germany), Taxi Drivers: Cinema e Cultura Metropolitano (Italy), MEOW (US) and other publications, and to read about NARIP members and session participants who have made over 50 placements since inception of NARIP’s series last year, click here. We’re delighted to report the most recent placement, “I Wanna Be Your Man” written by John Lennon and Paul McCartney as performed by Mobley in the August 11, 2013 episode of True Blood. The song will also be included on the True Blood soundtrack album: True Blood Music From The Original Series Volume 4. This placement was featured in a New York Times article. THANK YOU Special thanks to Debi Blackgrove and Chris Tams at the British Recorded Music Industry for their help with this series. WHEN Friday, January 24, 2014 12:30 p.m. – Registration and networking 1:00 p.m. – Program begins 2:15 p.m. – Break 4:00 p.m. – Program ends 5:30 p.m. – Invitation-only networking drinks with Susan Stone for registrants of this NARIP session (paying bar) at the Century Club located at 61-63 Shaftesbury Avenue, London W1 WHERE BPI (British Recorded Music Industry) Riverside Building County Hall Westminster Bridge Road London SE1 7JA T: +44 (0)2 0 7803 1300 DIRECTIONS Click here for map. . WHO SHOULD ATTEND Artist Managers, Producers & Artist Reps A&R, Artist Development and Marketing Executives Record, Distribution & Music Publishing Executives Anyone seeking placement opportunities in film and film promotional campaigns. PER-SESSION COST £179 NARIP Members * and BPI Members £189 MPA, AIM, BASCA, BMI, ASCAP, MPG, SESAC, PRS members and SongLink subscribers £199 Non-Members Any questions about HOW TO register (discounted or otherwise) please email Mary Bee at mary@narip.com or Sharon Dean at sharon@narip.com and let them know your affiliation. * Available to Professional and Executive NARIP Members only (not monthly members). Members please log in to receive discount. 2 WAYS TO REGISTER 1. Online: www.narip.com (just scroll down) 2. Phone: 818-769-7007 (US) or 0203-002-8247 (UK local call) Advance RSVP encouraged. Pre-paid admission guarantees seating. No refunds. We appreciate your cooperation. QUESTIONS Call us at 818 769 7007 or email mary AT narip DOT com. SOURCES FOR MORE INFO BPI Tonic NARIP Get connected. Stay connected. ____________________________________________________ The National Association of Record Industry Professionals is the biggest music business network in the world, now in nine major cities. We promote career advancement, education and good will among record executives. |
| 2012-12-10 | In London – NARIP Music Supervisor Session -w- High Bias Industries’ Toddrick Spalding ***SOLD OUT***
Intimate Meeting & Pitch Session With Music Supervisor from Hollywood, CA Director of Music for High Bias Industries Toddrick Spalding  on Monday, December 10, 2012 (1:00 p.m.) at the BPI in London DETAILS A top-rated music supervisor in Los Angeles is our special guest at NARIP’s next Music Supervisor Session in London: High Bias Industries Music Supervisor Toddrick Spalding. Spalding commissions, licenses and places music for global feature film trailer campaigns for the world’s biggest blockbusters as well as for independent films, global advertising campaigns and television. Limited enrollment of 16 people per session guarantees face-time, registrants get brief of supervisor’s CURRENT music needs, a chance to pitch plus immediate feedback. In NARIP’s intimate session, you get to meet and pitch him for current opportunities. Trailers – which represents a large part of Toddrick’s client work – have skyrocketed in recent years as an important and lucrative vehicle for music licensing. Synch fees for music in trailers tend to be larger because the rights requested tend to be more broad (worldwide, in perpetuity, used in every possible media). Also, trailers are typically part of a film’s marketing budget rather than its music budget, with film marketing budgets almost always many times larger than music budgets. One senior music executive at Fox Studios says that the music budget for a film is rarely larger than 3% of its overall budget, if that. ABOUT TODDRICK SPALDING Toddrick got his start in the music industry as founder and drummer of Chicago indie rock band The Detachment Kit. Since those long ago days of constant touring and near-death experiences, he has built a career in music supervision for feature film marketing, indie features, traditional advertising and television. His company High Bias Industries, a collective of music supervisors, has worked on numerous high-profile projects (Django Unchained trailer, Givenchy worldwide campaign, NBA Finals, and FX’s Wilfred Season 2 and others). Prior to launching High Bias in 2011, Toddrick worked as a Music Supervisor at film marketing agencies including The Cimmaron Group and mOcean/CMP+, and also spent time as Director of Music for Film & TV at the Spectre Entertainment Group and as Director of Marketing for Knitting Factory Hollywood / Knitmedia. He is also currently the West Coast Creative Director at Spirit Music Group, home to artists as diverse as Pete Townshend, Marc Bolan, Lou Reed, The Naked and Famous and The Used. CAREER HIGHLIGHTS
SMALL IS THE NEW BIG NARIP’s small sessions (limited enrollment of 16 people per session) guarantee face-time with our guest, registrants get brief of supervisor’s CURRENT music needs, a chance to pitch plus immediate feedback. You get to meet and pitch our guest for current opportunities on the spot, receiving instant feedback as to whether a song or cue is appropriate or not, and most importantly, WHY. This feedback makes better pitches – and ultimately, placements – possible. Participants even have the opportunity to re-work music to better fit a supervisor’s needs. Placements secured and professional relationships formed through NARIP”s music supervisor sessions have earned praise and and placements! See TESTIMONIALS and PLACEMENTS sections below. TESTIMONIALS Click here to read what people say about NARIP’s Music Supervisor Sessions. NARIP MUSIC SUPERVISOR SESSIONS IN THE NEWS, PLACEMENTS & SUCCESS STORIES For articles in The Guardian (UK), MusikWeek (UK), Musik Woche (Germany), Taxi Drivers: Cinema e Cultura Metropolitano (Italy), MEOW (US) and other publications, and to read about NARIP members and session participants who have made over 20 placements since inception of NARIP’s series last year, click here. We’re delighted to report the most recent placement, The Chris Bergson Band’s song “Rain Beatin’ Down” that has been licensed for the rest of the season on ESPN for all of NASCAR programming. THANK YOU Special thanks to Debi Blackgrove and Julian Wall at the British Recorded Music Industry for their help with this series. Both 1pm and 5pm Sessions are SOLD OUT To be wait-listed email mary@narip.com WHEN Monday, December 10, 2012 (1:00 p.m.) 12:30 p.m. – Registration and networking 1:00 p.m. – Program begins 2:15 p.m. – Break 3:30 p.m. – Program ends WHERE BPI (British Recorded Music Industry) Riverside Building County Hall Westminster Bridge Road London SE1 7JA T: +44 (0)2 0 7803 1300 DIRECTIONS Click here for map. . WHO SHOULD ATTEND Artist Managers, Producers & Artist Reps A&R, Artist Development and Marketing Executives Record, Distribution & Music Publishing Executives Anyone seeking placement opportunities in film and film promotional campaigns. The 1pm session is SOLD OUT. To be wait-listed, please email mary@narip.com. COST £179 NARIP Members * and BPI Members £189 MPA, AIM, BASCA, PRS members and SongLink subscribers £199 Non-Members Any questions about HOW TO register (discounted or otherwise) please email Mary Bee at mary AT narip DOT com and let her know your affiliation. * Available to Professional and Executive NARIP Members only. Members please log in to receive discount. 2 WAYS TO REGISTER 1. Online: www.narip.com (just scroll down) 2. Phone: 0203-002-8247 (UK local call) Advance RSVP encouraged. Pre-paid admission guarantees seating. No refunds. We appreciate your cooperation. QUESTIONS Call us at 0203-002-8247 (UK local call) or email mary AT narip DOT com. SOURCES FOR MORE INFO High Bias Industries British Recorded Music Industry NARIP Get connected. Stay connected. ____________________________________________________ The National Association of Record Industry Professionals is the biggest music business network in the world, now in nine major cities. We promote career advancement, education and good will among record executives. . |
| 2012-12-10 | In London – NARIP Music Supervisor Session -w- High Bias Industries’ Toddrick Spalding ***SOLD OUT***
Intimate Meeting & Pitch Session With Music Supervisor from Hollywood, CA Director of Music for High Bias Industries Toddrick Spalding on Monday, December 10, 2012 (5:00 p.m.) at the BPI in London DETAILS A top-rated music supervisor in Los Angeles is our special guest at NARIP’s next Music Supervisor Session in London: High Bias Industries Music Supervisor Toddrick Spalding. Spalding commissions, licenses and places music for global feature film trailer campaigns for the world’s biggest blockbusters as well as for independent films, global advertising campaigns and television. Limited enrollment of 16 people per session guarantees face-time, registrants get brief of supervisor’s CURRENT music needs, a chance to pitch plus immediate feedback. In NARIP’s intimate session, you get to meet and pitch him for current opportunities. Trailers – which represents a large part of Toddrick’s client work – have skyrocketed in recent years as an important and lucrative vehicle for music licensing. Synch fees for music in trailers tend to be larger because the rights requested tend to be more broad (worldwide, in perpetuity, used in every possible media). Also, trailers are typically part of a film’s marketing budget rather than its music budget, with film marketing budgets almost always many times larger than music budgets. One senior music executive at Fox Studios says that the music budget for a film is rarely larger than 3% of its overall budget, if that. ABOUT TODDRICK SPALDING Toddrick got his start in the music industry as founder and drummer of Chicago indie rock band The Detachment Kit. Since those long ago days of constant touring and near-death experiences, he has built a career in music supervision for feature film marketing, indie features, traditional advertising and television. His company High Bias Industries, a collective of music supervisors, has worked on numerous high-profile projects (Django Unchained trailer, Givenchy worldwide campaign, NBA Finals, and FX’s Wilfred Season 2 and others). Prior to launching High Bias in 2011, Toddrick worked as a Music Supervisor at film marketing agencies including The Cimmaron Group and mOcean/CMP+, and also spent time as Director of Music for Film & TV at the Spectre Entertainment Group and as Director of Marketing for Knitting Factory Hollywood / Knitmedia. He is also currently the West Coast Creative Director at Spirit Music Group, home to artists as diverse as Pete Townshend, Marc Bolan, Lou Reed, The Naked and Famous and The Used. CAREER HIGHLIGHTS
SMALL IS THE NEW BIG NARIP’s small sessions (limited enrollment of 16 people per session) guarantee face-time with our guest, registrants get brief of supervisor’s CURRENT music needs, a chance to pitch plus immediate feedback. You get to meet and pitch our guest for current opportunities on the spot, receiving instant feedback as to whether a song or cue is appropriate or not, and most importantly, WHY. This feedback makes better pitches – and ultimately, placements – possible. Participants even have the opportunity to re-work music to better fit a supervisor’s needs. Placements secured and professional relationships formed through NARIP”s music supervisor sessions have earned praise and and placements! See TESTIMONIALS and PLACEMENTS sections below. TESTIMONIALS Click here to read what people say about NARIP’s Music Supervisor Sessions. NARIP MUSIC SUPERVISOR SESSIONS IN THE NEWS, PLACEMENTS & SUCCESS STORIES For articles in The Guardian (UK), MusikWeek (UK), Musik Woche (Germany), Taxi Drivers: Cinema e Cultura Metropolitano (Italy), MEOW (US) and other publications, and to read about NARIP members and session participants who have made over 20 placements since inception of NARIP’s series last year, click here. We’re delighted to report the most recent placement, The Chris Bergson Band’s song “Rain Beatin’ Down” that has been licensed for the rest of the season on ESPN for all of NASCAR programming. THANK YOU Special thanks to Debi Blackgrove and Julian Wall at the British Recorded Music Industry for their help with this series. Both 1pm and 5pm Sessions are SOLD OUT To be wait-listed email mary@narip.com WHEN Monday, December 10, 2012 (5:00 p.m.) 4:30 p.m. – Registration and networking 5:00 p.m. – Program begins 6:15 p.m. – Break 7:30 p.m. – Program ends WHERE BPI (British Recorded Music Industry) Riverside Building County Hall Westminster Bridge Road London SE1 7JA T: +44 (0)2 0 7803 1300 DIRECTIONS Click here for map. . WHO SHOULD ATTEND Artist Managers, Producers & Artist Reps A&R, Artist Development and Marketing Executives Record, Distribution & Music Publishing Executives Anyone seeking placement opportunities in film and film promotional campaigns. COST £179 NARIP Members * and BPI Members £189 MPA, AIM, BASCA, PRS members and SongLink subscribers £199 Non-Members Any questions about HOW TO register (discounted or otherwise) please email Mary Bee at mary AT narip DOT com and let her know your affiliation. * Available to Professional and Executive NARIP Members only. Members please log in to receive discount. 2 WAYS TO REGISTER 1. Online: www.narip.com (just scroll down) 2. Phone: 0203-002-8247 (UK local call) Advance RSVP encouraged. Pre-paid admission guarantees seating. No refunds. We appreciate your cooperation. QUESTIONS Call us at 0203-002-8247 (UK local call) or email mary AT narip DOT com. SOURCES FOR MORE INFO High Bias Industries British Recorded Music Industry NARIP Get connected. Stay connected. ____________________________________________________ The National Association of Record Industry Professionals is the biggest music business network in the world, now in nine major cities. We promote career advancement, education and good will among record executives. . |
| 2013-09-02 | In London – NARIP Music Supervisor Session -w- VH1’s Paul Logan (5:00 pm)
Intimate Meeting & Pitch Session with Top Music Supervisors Session with VH1’s Paul Logan on Monday, September 2, 2013 (5:00 pm) at The BPI in London, England DETAILS Music supervisor Paul Logan is our special guest at this NARIP Music Supervisor Session in LA. Logan commissions, licenses and places music for hit television programs (Single Ladies movie and series, Basketball Wives, Couples Therapy, and many more). Limited enrollment of 16 people per session guarantees face-time with him, registrants get brief of his CURRENT music needs prior to the session to help them better prepare, a chance to pitch plus immediate feedback from him to YOUR material. In NARIP’s intimate session, you get to meet and pitch him for current opportunities. ABOUT PAUL LOGAN Paul Logan has 7 years across VH1 and MTV in both the Los Angeles and New York offices. He is currently a Creative Music Integration Manager at VH1 in Santa Monica, implementing featured music placements for a wide range of programming. Current projects include Basketball Wives, Black Ink Crew, and the upcoming scripted series, Bounce. Other credits include the Single Ladies movie and series, Couples Therapy, Basketball Wives LA, Chrissy & Mr. Jones, Styled By June, Baseball Wives, Saddle Ranch, Beverly Hills Fabulous, Audrina, and others. Paul’s previous experience includes Music & Talent Relations at MTV and Music Marketing at VH1. Come meet Paul! SMALL IS THE NEW BIG NARIP’s small sessions (limited enrollment of 16 people per session) guarantee face-time with our guest, registrants get brief of supervisor’s CURRENT music needs, a chance to pitch plus immediate feedback. You get to meet and pitch our guest for current opportunities on the spot, receiving instant feedback as to whether a song or cue is appropriate or not, and most importantly, WHY. This feedback makes better pitches – and ultimately, placements – possible. Participants even have the opportunity to re-work music to better fit a supervisor’s needs. Placements secured and professional relationships formed through NARIP”s music supervisor sessions have earned praise and and placements! See TESTIMONIALS and PLACEMENTS sections below. TESTIMONIALS Click here to read what people say about NARIP’s Music Supervisor Sessions. NARIP MUSIC SUPERVISOR SESSIONS IN THE NEWS, PLACEMENTS & SUCCESS STORIES For articles in The Guardian (UK), MusikWeek (UK), Musik Woche (Germany), Taxi Drivers: Cinema e Cultura Metropolitano (Italy), MEOW (US) and other publications, and to read about NARIP members and session participants who have made over 20 placements since inception of NARIP’s series last year, click here. We’re delighted to report the most recent placement, The Chris Bergson Band’s song “Rain Beatin’ Down” that has been licensed for the rest of the season on ESPN for all of NASCAR programming. THANK YOU Special thanks to Debi Blackgrove and Julian Wall at the British Recorded Music Industry for their help with this series. WHEN Monday September 2, 2013 4:30 p.m. – Registration and networking 5:00 p.m. – Program begins 6:15 p.m. – Break 7:30 p.m. – Program ends WHERE: BPI (British Recorded Music Industry) Riverside Building County Hall Westminster Bridge Road London SE1 7JA T: +44 (0)2 0 7803 1300 DIRECTIONS Click here for map. . WHO SHOULD ATTEND Artist Managers, Producers & Artist Reps A&R, Artist Development and Marketing Executives Record, Distribution & Music Publishing Executives Anyone seeking placement opportunities in film and film promotional campaigns. PER-SESSION COST £179 NARIP Members * and BPI Members £189 MPA, AIM, BASCA, PRS members and SongLink subscribers £199 Non-Members Any questions about HOW TO register (discounted or otherwise) please email Mary Bee at mary AT narip DOT com and let her know your affiliation. * Available to Professional and Executive NARIP Members only (not monthly members). Members please log in to receive discount. 2 WAYS TO REGISTER 1. Online: www.narip.com (just scroll down) 2. Phone: 818 769 7007 Advance RSVP encouraged. Pre-paid admission guarantees seating. No refunds. We appreciate your cooperation. QUESTIONS Call us at 818 769 7007 or email mary AT narip DOT com. SOURCES FOR MORE INFO Clearsongs Jim Back on IMDB NARIP Get connected. Stay connected. ____________________________________________________ The National Association of Record Industry Professionals is the biggest music business network in the world, now in nine major cities. We promote career advancement, education and good will among record executives. |
| 2013-12-11 | In London – NARIP Holiday Mixer @ The Phoenix Artist Club
 NARIP Holiday Mixer Come Meet & Greet! Wednesday, December 11, 2013 at The Phoenix Artist Club in London You are invited to attend NARIP’s music biz holiday mixer at the Phoenix Artist Club in London, England. Join us, come meet and greet music industry professionals. You need not be a NARIP member to attend. Admission is FREE but please RSVP and register below, space is limited! Come along to meet existing friends and contacts, and make new ones! Among other things, NARIP sponsors events like these to encourage networking and the fostering of business relationships in the record industry. Over 75% of all great opportunities, deals and job offers come about as a direct result of second and third party referrals – who you know matters. So get to know more people in the record biz, and let them get to know you! Please join us and bring plenty of business cards. All are welcome, details below. RSVP NOW Please RSVP online – just scroll down. Is your network not working? Ours is. They can’t promote you if they don’t know who you are! THANK YOU Special thanks to The Artist Club for their help with this event. . WHEN Wednesday December 11, 2013 7:00 p.m. – 11:00 p.m. WHERE The Phoenix Artist Club 1 Phoenix Street London WC2H 8BU Tel: 020 7836 1077 COST Free but please RSVP below. Paying bar. DIRECTIONS Click here for map. QUESTIONS? Call 818-769-7007 or email mary@narip.com Get connected. Stay connected. The National Association of Record Industry Professionals promotes career advancement, education and good will among record executives. |
| 2012-09-03 | In London – NARIP Film-TV Music Supervisor Session: Universal Pictures Angela Leus
Intimate Meeting & Pitch Session With Music Supervisor from Los Angeles: Director of Film Music for Universal Pictures Angela Leus  on Monday, September 3, 2012 (4:30 p.m.) at the Music Publishers Association, London, UK DETAILS Hailing from Los Angeles, the entertainment capital of the world, Director of Film Music for Universal Pictures Angela Leus is the special guest at our next NARIP London Music Supervisor Session. In NARIP’s intimate session, you get to meet and pitch her for current opportunities. ABOUT ANGELA LEUS A classically trained pianist/violinist who graduated from USC’s Thornton School of Music, Angela Leus started her career in the music department at Miramax Films. During that time, she was involved in music licensing for both films and trailers, soundtrack marketing and score production, working on such projects as Chicago, Cold Mountain and The Reader. She then moved to the promo music department of NBC-Universal Television, working on promos for the network, Bravo and all affiliates. In 2005, Angela returned to work for Bob and Harvey Weinstein at The Weinstein Company/Dimension Films, where she resumed her role overseeing score production and serving as music executive on such films as Kevin Smith’s Zack and Miri Make A Porno and Youth In Revolt. Angela then went on to oversee the music department for Ignition Creative, a multi-media motion picture and television marketing company, working on marketing campaigns for various projects including The Fighter, True Grit and The Social Network. She currently is Director of Film Music at Universal Pictures, acting as in-house music supervisor and overseeing all music-related issues on both theatrical and home entertainment projects. Recent and upcoming projects include American Reunion, Pitch Perfect starring Anna Kendrick and RIPD starring Jeff Bridges and Ryan Reynolds. Come meet this career-maker. SMALL IS THE NEW BIG NARIP’s small sessions (limited enrollment of 16 people per session) guarantee face-time with our guest, registrants get brief of supervisor’s CURRENT music needs, a chance to pitch plus immediate feedback. You get to meet and pitch our guest for current opportunities on the spot, receiving instant feedback as to whether a song or cue is appropriate or not, and most importantly, WHY. This feedback makes better pitches – and ultimately, placements – possible. Participants even have the opportunity to re-work music to better fit a supervisor’s needs. Placements secured and professional relationships formed through NARIP”s music supervisor sessions have earned praise and and placements! See TESTIMONIALS and PLACEMENTS sections below. TESTIMONIALS Click here to read what people say about NARIP’s Music Supervisor Sessions. NARIP MUSIC SUPERVISOR SESSIONS IN THE NEWS, PLACEMENTS & SUCCESS STORIES For articles in The Guardian (UK), Musik Woche (Germany) and other publications, and to read about NARIP members and session participants who have made over 20 placements since inception of NARIP’s series last year, click here. We’re delighted to report the most recent placement, The Chris Bergson Band’s song “Rain Beatin’ Down” that has been licensed for the rest of the season on ESPN for all of NASCAR programming. THANK YOU  Special thanks to Stephen Navin and Sue Hantsch at the Music Publishers Association for their help with this series. WHEN Monday, September 3rd, 2012 (4:30 p.m.) 4:00 p.m. – Registration and networking 4:30 p.m. – Program begins 5:45 p.m. – Break 7:00 p.m. – Program ends WHERE Music Publishers Association 6th Floor, British Music House 26 Berners Street London W1T 3LR DIRECTIONS Click here for map. The MPA is an easy 10-minute walk from the Oxford Circus tube station. WHO SHOULD ATTEND Artist Managers, Producers & Artist Reps A&R, Artist Development and Marketing Executives Record, Distribution & Music Publishing Executives Anyone seeking placement opportunities in film and film promotional campaigns. COST £179 NARIP Members * and MPA Members £189 AIM, BASCA, BPI, PRS members and SongLink subscribers £209 Non-Members Any questions about HOW TO register (discounted or otherwise) please email Mary Bee at mary AT narip DOT com and let her know your affiliation. * Available to Professional and Executive NARIP Members only. 2 WAYS TO REGISTER 1. Online: www.narip.com (just scroll down) 2. Phone: 0203-002-8247 (UK local call) Advance RSVP encouraged. Pre-paid admission guarantees seating. No refunds. We appreciate your cooperation. QUESTIONS Call us at 0203-002-8247 (UK local call) or email mary AT narip DOT com. SOURCES FOR MORE INFO Universal Pictures Music Publishers Association NARIP Get connected. Stay connected. ____________________________________________________ The National Association of Record Industry Professionals is the biggest music business network in the world, now in nine major cities. We promote career advancement, education and good will among record executives. . |
| 2012-03-27 | In London – NARIP Film-TV Music Supervisor Session: Madonna Wade-Reed **SOLD OUT**
Intimate Meeting & Pitch Session With Music Supervisor from Los Angeles: whoopsie daisy music’s Madonna Wade-Reed  on Tuesday, March 27, 2012 (6:30 p.m.) at SAE Institute London, UK
Hailing from Los Angeles, the entertainment capital of the world, Madonna Wade-Reed is the special guest at our next NARIP London Music Supervisor Session. Her television career has included work on series such as Charlie’s Angels, Blue Mountain State, Smallville, Castle, What About Brian, Barbershop, One Tree Hill, Alias and Felicity and such films as Fred: The Movie, The Perfect Score, My Boss’s Daughter, Careless and the yet to be released A Thousand Words starring Eddie Murphy and Kerry Washington. She is currently supervising the third season of the SpikeTV series Blue Mountain State and Jane By Design for ABC Family which has just been picked up for Season 2. In NARIP’s intimate session, you get to meet and pitch her for current opportunities. Come meet this career-maker. SUCCESS STORIES & BACKGROUND NARIP members have made placements through these limited enrollment sessions, including most recently Peter Kimmel who has secured multiple placements. These include placing “The Big One” in the film Chronicle, “Soul of a Man Never Dies” in an episode of True Blood and “Jhiara” in an episode of Dexter following NARIP sessions with Andrea von Foerster and Gary Calamar earlier this year in Los Angeles. You can read more about it here. Placements secured and professional relationships formed through these meetings are so good that we felt this format would work well for those who represent catalogs and/or seek intimate pitch opportunities with the best (and busiest) ad agency music supervisors in the business. Limited to 15 people, NARIP’s sessions enable you to get to know the supervisors and more importantly, enable them to get to know you. At private sessions this year in Los Angeles, New York, San Francisco, Berlin and London participants were able to pitch for current opportunities on the spot, receiving instant feedback as to whether a song was appropriate or not, and WHY. This valuable feedback makes better pitches – and ultimately, placements – possible. In some cases, participants even had time to re-work their music to better fit a supervisors’ needs. Above all, attendees MET key players in the modern music business, paving the way for future opportunities and giving them an edge in a highly competitive market. At our next session in London, participants will have the opportunity to pitch music for specific opportunities for current campaigns and get immediate, direct feedback from one ad agency music supervisor. A NEW ACCESS POINT “We have created an access point that wasn’t available before,” says Tess Taylor, president of the National Association of Record Industry Professionals (NARIP) and creator of the series. “We’re thrilled with the success of these sessions in London, Los Angeles, New York, San Francisco and Berlin, as are participants. This broadens the access to music, access that might otherwise not exist. We’re grateful for the positive reception we received in London at our first sessions there in November, and look forward to bringing many more to this city that has produced some of the best-loved music in the world.” NARIP’s sessions diversify potential usage of music and are appropriate for those who represent catalogs of all sizes. NARIP MUSIC SUPERVISOR SESSIONS IN THE NEWS Special thanks to Joe Muggs for his excellent coverage of NARIP’s November 2011 session in The Guardian (“Matchmakers of the Zeitgeist: Soundtracking TV Shows”), which you can read here. NARIP’s Music Supervisor Sessions have featured the following A-listers: Film & TV Music Supervisors:
Advertising Agency Music Supervisors:
What attendees say about NARIP’s Music Supervisor Sessions (with film / TV and ad agency music supervisors) held earlier this year in London, Los Angeles, New York, San Francisco and Berlin:
£189 NARIP Members * (discount also applies for AIM, ASCAP, BASCA, BMI, BPI, MMF, MPA, IMRO and PRS members, as well as to subscribers to Music Week and SongLink) £209 Non-Members Any questions about HOW TO register (discounted or otherwise) please email Mary Bee at mary AT narip DOT com and let her know your affiliation. * Available to Professional and Executive NARIP Members only. THANK YOU Special thanks to Juliette Barrett at SAE Institute London for her help with this series. ABOUT THE SUPERVISOR Madonna Wade-Reed, whoopsie daisy music Madonna began her career as a producer’s assistant in feature films. From there went on to work as an assistant to a well-known actor and then a successful commercial director. A love of music lead to a career move into music video production and eventually into the position of Head of Music Video at Spy Productions in Los Angeles. This move offered many great opportunities to help develop directing talent. Madonna then segued into a career in music supervision – first, as a partner in Daisy Music and now as owner of whoopsie daisy. Madonna’s television career has included work on series such as Charlie’s Angels, Blue Mountain State, Smallville, Castle, What About Brian, Barbershop, One Tree Hill, Alias and Felicity and such films as Fred: The Movie, The Perfect Score, My Boss’s Daughter, Careless and the yet to be released A Thousand Words starring Eddie Murphy and Kerry Washington. Madonna is currently supervising the third season of the SpikeTV series Blue Mountain State and Jane By Design for ABC Family. 6:30 p.m. SESSION IS SOLD OUT 3:00 p.m. SESSION JUST ADDED WHEN Tuesday, March 27, 2012 (6:30 p.m.) – SOLD OUT 6:30 p.m. – Registration and networking 7:00 p.m. – Program begins 8:15 p.m. – Break 9:30 p.m. – Program ends WHO SHOULD ATTEND Artist Managers, Producers & Artist Reps A&R, Artist Development and Marketing Executives Record, Distribution & Music Publishing Executives Music & Entertainment Attorneys Anyone seeking placement opportunities in advertising and branding campaigns. WHERE SAE Institute London, UK 297 Kingsland Road E8 4DD London Click here for map. 2 WAYS TO REGISTER – SOLD OUT 1. Online: www.narip.com (just scroll down) 2. Phone: 0203-002-8247 (UK local call) Advance RSVP encouraged. Pre-paid admission guarantees seating. No refunds. We appreciate your cooperation. QUESTIONS? Call us at 0203-002-8247 (UK local call) or email mary AT narip DOT com. SOURCES FOR MORE INFO NARIP Get connected. Stay connected. The National Association of Record Industry Professionals promotes career advancement, education and good will among record executives. . |
| 2012-03-27 | In London – NARIP Film-TV Music Supervisor Session: Madonna Wade-Reed **JUST ADDED**
Intimate Meeting & Pitch Session With Music Supervisor from Los Angeles: whoopsie daisy music’s Madonna Wade-Reed on Tuesday, March 27, 2012 (3:00 p.m.) at SAE Institute London, UK
Hailing from Los Angeles, the entertainment capital of the world, Madonna Wade-Reed is the special guest at our next NARIP London Music Supervisor Session. Her television career has included work on series such as Charlie’s Angels, Blue Mountain State, Smallville, Castle, What About Brian, Barbershop, One Tree Hill, Alias and Felicity and such films as Fred: The Movie, The Perfect Score, My Boss’s Daughter, Careless and the yet to be released A Thousand Words starring Eddie Murphy and Kerry Washington. She is currently supervising the third season of the SpikeTV series Blue Mountain State and Jane By Design for ABC Family which has just been picked up for Season 2. In NARIP’s intimate session, you get to meet and pitch her for current opportunities. Come meet this career-maker. SUCCESS STORIES & BACKGROUND NARIP members have made placements through these limited enrollment sessions, including most recently Peter Kimmel who has secured multiple placements. These include placing “The Big One” in the film Chronicle, “Soul of a Man Never Dies” in an episode of True Blood and “Jhiara” in an episode of Dexter following NARIP sessions with Andrea von Foerster and Gary Calamar earlier this year in Los Angeles. You can read more about it here. Placements secured and professional relationships formed through these meetings are so good that we felt this format would work well for those who represent catalogs and/or seek intimate pitch opportunities with the best (and busiest) ad agency music supervisors in the business. Limited to 15 people, NARIP’s sessions enable you to get to know the supervisors and more importantly, enable them to get to know you. At private sessions this year in Los Angeles, New York, San Francisco, Berlin and London participants were able to pitch for current opportunities on the spot, receiving instant feedback as to whether a song was appropriate or not, and WHY. This valuable feedback makes better pitches – and ultimately, placements – possible. In some cases, participants even had time to re-work their music to better fit a supervisors’ needs. Above all, attendees MET key players in the modern music business, paving the way for future opportunities and giving them an edge in a highly competitive market. At our next session in London, participants will have the opportunity to pitch music for specific opportunities for current campaigns and get immediate, direct feedback from one ad agency music supervisor. A NEW ACCESS POINT “We have created an access point that wasn’t available before,” says Tess Taylor, president of the National Association of Record Industry Professionals (NARIP) and creator of the series. “We’re thrilled with the success of these sessions in London, Los Angeles, New York, San Francisco and Berlin, as are participants. This broadens the access to music, access that might otherwise not exist. We’re grateful for the positive reception we received in London at our first sessions there in November, and look forward to bringing many more to this city that has produced some of the best-loved music in the world.” NARIP’s sessions diversify potential usage of music and are appropriate for those who represent catalogs of all sizes. NARIP MUSIC SUPERVISOR SESSIONS IN THE NEWS Special thanks to Joe Muggs for his excellent coverage of NARIP’s November 2011 session in The Guardian (“Matchmakers of the Zeitgeist: Soundtracking TV Shows”), which you can read here. NARIP’s Music Supervisor Sessions have featured the following A-listers: Film & TV Music Supervisors:
Advertising Agency Music Supervisors:
What attendees say about NARIP’s Music Supervisor Sessions (with film / TV and ad agency music supervisors) held earlier this year in London, Los Angeles, New York, San Francisco and Berlin:
£189 NARIP Members * (discount also applies for AIM, ASCAP, BASCA, BMI, BPI, MMF, MPA, IMRO and PRS members, as well as to subscribers to Music Week and SongLink) £209 Non-Members Any questions about HOW TO register (discounted or otherwise) please email Mary Bee at mary AT narip DOT com and let her know your affiliation. * Available to Professional and Executive NARIP Members only. THANK YOU Special thanks to Juliette Barrett at SAE Institute London for her help with this series. ABOUT THE SUPERVISOR Madonna Wade-Reed, whoopsie daisy music Madonna began her career as a producer’s assistant in feature films. From there went on to work as an assistant to a well-known actor and then a successful commercial director. A love of music lead to a career move into music video production and eventually into the position of Head of Music Video at Spy Productions in Los Angeles. This move offered many great opportunities to help develop directing talent. Madonna then segued into a career in music supervision – first, as a partner in Daisy Music and now as owner of whoopsie daisy. Madonna’s television career has included work on series such as Charlie’s Angels, Blue Mountain State, Smallville, Castle, What About Brian, Barbershop, One Tree Hill, Alias and Felicity and such films as Fred: The Movie, The Perfect Score, My Boss’s Daughter, Careless and the yet to be released A Thousand Words starring Eddie Murphy and Kerry Washington. Madonna is currently supervising the third season of the SpikeTV series Blue Mountain State and Jane By Design for ABC Family. 3:00 p.m. SESSION JUST ADDED (6:30 p.m. SESSION IS SOLD OUT) WHEN Tuesday, March 27, 2012 (3:00 p.m.) 2:30 p.m. – Registration and networking 3:00 p.m. – Program begins 4:15 p.m. – Break 5:30 p.m. – Program ends WHO SHOULD ATTEND Artist Managers, Producers & Artist Reps A&R, Artist Development and Marketing Executives Record, Distribution & Music Publishing Executives Music & Entertainment Attorneys Anyone seeking placement opportunities in advertising and branding campaigns. WHERE SAE Institute London, UK 297 Kingsland Road E8 4DD London Click here for map. 2 WAYS TO REGISTER 1. Online: www.narip.com (just scroll down) 2. Phone: 0203-002-8247 (UK local call) Advance RSVP encouraged. Pre-paid admission guarantees seating. No refunds. We appreciate your cooperation. QUESTIONS? Call us at 0203-002-8247 (UK local call) or email mary AT narip DOT com. SOURCES FOR MORE INFO NARIP Get connected. Stay connected. The National Association of Record Industry Professionals promotes career advancement, education and good will among record executives. . |
| 2012-09-03 | In London – NARIP Film-TV Music Supervisor Session: Create Advertising’s Heather Kreamer
Intimate Meeting & Pitch Session With Music Supervisor from Los Angeles: Director of Music for Create Advertising, Heather Kreamer  on Monday, September 3, 2012 (1:00 p.m.) at the Music Publishers Association in London, UK DETAILS Hailing from Los Angeles, the entertainment capital of the world, Director of Music for Create Advertising Heather Kreamer is the special guest at our next NARIP London Music Supervisor Session. In NARIP’s intimate session, you get to meet and pitch her for current opportunities. ABOUT HEATHER KREAMER Heather Kreamer is Director of Music for Create Advertising, an entertainment marketing company. She oversees all music needs for both their Los Angeles and London offices. This includes finding and licensing the perfect commercial music, as well as working with composers to create custom scores. Prior to joining Create, Heather spent 5 years running the music department of mOcean, another entertainment marketing agency. Her background includes building the film and television department for INgrooves, a global music distributor. She began her music career at Natural Energy Lab, where she signed artists and marketed their music for sync placements. Heather has worked on hundreds of successful motion picture marketing campaigns. Some recent campaigns include The Amazing Spiderman, Frankenweenie, The Campaign and Total Recall. Come meet this career-maker. SMALL IS THE NEW BIG NARIP’s small sessions (limited enrollment of 16 people per session) guarantee face-time with our guest, registrants get brief of supervisor’s CURRENT music needs, a chance to pitch plus immediate feedback. You get to meet and pitch our guest for current opportunities on the spot, receiving instant feedback as to whether a song or cue is appropriate or not, and most importantly, WHY. This feedback makes better pitches – and ultimately, placements – possible. Participants even have the opportunity to re-work music to better fit a supervisor’s needs. Placements secured and professional relationships formed through NARIP”s music supervisor sessions have earned praise and and placements! See TESTIMONIALS and PLACEMENTS sections below. TESTIMONIALS Click here to read what people say about NARIP’s Music Supervisor Sessions. NARIP MUSIC SUPERVISOR SESSIONS IN THE NEWS, PLACEMENTS & SUCCESS STORIES For articles in The Guardian (UK), Musik Woche (Germany) and other publications, and to read about NARIP members and session participants who have made over 20 placements since inception of NARIP’s series last year, click here. We’re delighted to report the most recent placement, The Chris Bergson Band’s song “Rain Beatin’ Down” that has been licensed for the rest of the season on ESPN for all of NASCAR programming. THANK YOU Special thanks to Stephen Navin and Sue Hantsch at the Music Publishers Association for their help with this series. WHEN Monday, September 3rd, 2012 (1:00 p.m.) 12:30 p.m. – Registration and networking 1:00 p.m. – Program begins 2:15 p.m. – Break 3:30 p.m. – Program ends WHERE Music Publishers Association 6th Floor, British Music House 26 Berners Street London W1T 3LR DIRECTIONS Click here for map. The MPA is an easy 10-minute walk from the Oxford Circus tube station. WHO SHOULD ATTEND Artist Managers, Producers & Artist Reps A&R, Artist Development and Marketing Executives Record, Distribution & Music Publishing Executives Anyone seeking placement opportunities in film and film promotional campaigns. COST £179 NARIP Members * and MPA Members £189 AIM, BASCA, BPI, PRS members and SongLink subscribers £209 Non-Members Any questions about HOW TO register (discounted or otherwise) please email Mary Bee at mary AT narip DOT com and let her know your affiliation. * Available to Professional and Executive NARIP Members only. 2 WAYS TO REGISTER 1. Online: www.narip.com (just scroll down) 2. Phone: 0203-002-8247 (UK local call) Advance RSVP encouraged. Pre-paid admission guarantees seating. No refunds. We appreciate your cooperation. QUESTIONS Call us at 0203-002-8247 (UK local call) or email mary AT narip DOT com. SOURCES FOR MORE INFO Create Advertising Music Publishers Association NARIP Get connected. Stay connected. ____________________________________________________ The National Association of Record Industry Professionals is the biggest music business network in the world, now in nine major cities. We promote career advancement, education and good will among record executives. . |
| 2016-03-23 | In London – NARIP Advertising Music Supervisor Session -w- Tin Drum’s Sophie Urquhart
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| 2015-10-27 | In London – NARIP Advertising Music Supervisor Session -w- Platinum Rye’s Tom Stanford
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| 2015-01-23 | In London – NARIP Advertising Music Supervisor Session -w- Leland Music’s Ed Bailie
NARIP Music Supervisor Sessions: Intimate Pitch Meetings With Brand & Advertising Music Supervisors  with Ed Bailie, Music Supervisor, Leland Music on Friday, January 23, 2015 in London, England DETAILS Ed Bailie is our special guest at this NARIP Music Supervisor Session in London. Limited enrollment of 16 people per session guarantees face-time, registrants get brief of supervisor’s CURRENT music needs, a chance to pitch plus immediate feedback. In NARIP’s intimate session, you get to meet and pitch the supervisor for current opportunities. ABOUT ED BAILIE Music Supervisor Ed Bailie is Director and Music Supervisor at Leland Music, and has helped create many award-winning advertising for brands including John Lewis, O2, Hovis and Nike. With a background in Music Publishing, Ed previously headed up the Sync teams at both Bug Music and Blue Mountain Music in the UK, representing their extensive catalogues across Film, TV, Games and Advertising. Recent Music Supervision highlights include commercials for John Lewis (Christmas 2014), Haig Club and SSE, Guy Myhill’s feature film ‘The Goob’ and Kevin Macdonald’s ‘Christmas In A Day’. Come meet this career-maker. OVER 200 PLACEMENTS FROM NARIP MUSIC SUPERVISOR SESSIONS Our small format works! NARIP Session participants have placed over 200 tracks as a direct result of NARIP Sessions, including NARIP London Members. NARIP’S BIGGEST PLACEMENT TO DATE : VODAFONE Click here to read about NARIP’s biggest placement to date in a Vodafone campaign (Oct 2014) that paid handsomely and launched a career. DON’T GET LOST IN THE CROWD : SMALL IS THE NEW BIG NARIP Sessions are deliberately kept small and intimate, which is just one reason they work so well and why participants have enjoyed over 200 placements to date. Limited enrollment of 16 people per session guarantees that registrants meet and get face-time with our guest. Registrants also get a brief of the guest supervisor’s CURRENT music needs, a chance to pitch plus immediate feedback at each session, taking the mystery out of why a piece of music does or doesn’t fit. On-the-spot feedback enables registrants to re-work tracks and get them licensed. Placements secured and professional relationships formed through NARIPs music supervisor sessions have earned praise and placements! See TESTIMONIALS and PLACEMENTS sections below. TESTIMONIALS Click here to read what people say about NARIP’s Music Supervisor Sessions. NARIP MUSIC SUPERVISOR SESSIONS IN THE NEWS, PLACEMENTS & SUCCESS STORIES See full list of NARIP placements to date here. For articles in The Guardian (UK), MusikWeek (UK), Musik Woche (Germany), Taxi Drivers: Cinema e Cultura Metropolitano (Italy), MEOW (US) and other publications, and to read about NARIP members and session participants who have made almost 100 placements as a direct result of NARIP Sessions, click here. THANK YOU Special thanks to Debi Beacock (Blackgrove) and Chris Tams at the British Recorded Music Industry for their help with this series. WHEN Friday, January 23, 2015 1:30 Registration and networking 2:00 Program begins 3:15 Break 5:00 Program ends WHERE BPI (British Recorded Music Industry) Riverside Building County Hall Westminster Bridge Road London SE1 7JA T: +44 (0)2 0 7803 1300 DIRECTIONS Click here for map. WHO SHOULD ATTEND Artist Managers, Producers & Artist Reps A&R, Artist Development and Marketing Executives Record, Distribution & Music Publishing Executives Anyone seeking placement opportunities in film and TV. PER-SESSION COST
* Available to Professional and Executive NARIP Members only (not Monthly Members). Members please log in to receive discount. NOT ABLE TO ATTEND IN PERSON? At most NARIP events we provide the ability for you to “attend” virtually live via chat. Other options include having one of your representatives (or a NARIP rep) pitch for you. Please inquire and email mary@narip.com for more details. 2 WAYS TO REGISTER 1. Online: NARIP.com (just scroll down) 2. Phone: 818-769-7007 (US) or 0203-002-8247 (UK local call) Advance RSVP encouraged. Pre-paid admission guarantees seating. No refunds. We appreciate your cooperation. QUESTIONS Call us at 818-769-7007 or email mary AT narip DOT com. SOURCES FOR MORE INFO Get connected. Stay connected. ____________________________________________________ The National Association of Record Industry Professionals is the biggest music business network in the world, now in nine major cities. We promote career advancement, education and good will among record executives. . |
| 2012-02-27 | In London – NARIP Ad Agency Music Supervisor Session #4: Jessica Dierauer **JUST ADDED**
Intimate Meeting & Pitch Session With Music Supervisor from Top New York Ad Agency: Young & Rubicam’s Jessica Dierauer  on Tuesday, February 28, 2012 (3:00 p.m.) at SAE Institute London, UK is JUST ADDED
Voted #1 Ad Agency Music Supervisor by her peers in NARIP’s 2011 Best In The Biz annual survey, Jessica Dierauer is Executive Producer of Music & Creative Content at Young & Rubicam, one of the leading ad agencies in the world. She is also our special guest at NARIP’s next Music Supervisor Session in London. Dierauer selects, commissions and places music for global advertising campaigns for the world’s most recognizable brands. In NARIP’s intimate session, you get to meet and pitch her for current opportunities. Come meet this career-maker. SUCCESS STORIES & BACKGROUND NARIP members have made placements through these limited enrollment sessions, including most recently Peter Kimmel who has secured multiple placements. These include placing “The Big One” in the film Chronicle, “Soul of a Man Never Dies” in an episode of True Blood and “Jhiara” in an episode of Dexter following NARIP sessions with Andrea von Foerster and Gary Calamar earlier this year in Los Angeles. You can read more about it here. Placements secured and professional relationships formed through these meetings are so good that we felt this format would work well for those who represent catalogs and/or seek intimate pitch opportunities with the best (and busiest) ad agency music supervisors in the business. Limited to 15 people, NARIP’s sessions enable you to get to know the supervisors and more importantly, enable them to get to know you. At private sessions this year in Los Angeles, New York, San Francisco, Berlin and London participants were able to pitch for current opportunities on the spot, receiving instant feedback as to whether a song was appropriate or not, and WHY. This valuable feedback makes better pitches – and ultimately, placements – possible. In some cases, participants even had time to re-work their music to better fit a supervisors’ needs. Above all, attendees MET key players in the modern music business, paving the way for future opportunities and giving them an edge in a highly competitive market. At our next session in London, participants will have the opportunity to pitch music for specific opportunities for current campaigns and get immediate, direct feedback from one ad agency music supervisor. A NEW ACCESS POINT “We have created an access point that wasn’t available before,” says Tess Taylor, president of the National Association of Record Industry Professionals (NARIP) and creator of the series. “We’re thrilled with the success of these sessions in London, Los Angeles, New York, San Francisco and Berlin, as are participants. This broadens the access to music, access that might otherwise not exist. We’re grateful for the positive reception we received in London at our first sessions there in November, and look forward to bringing many more to this city that has produced some of the best-loved music in the world.” NARIP’s sessions diversify potential usage of music and are appropriate for those who represent catalogs of all sizes. NARIP MUSIC SUPERVISOR SESSIONS IN THE NEWS Special thanks to Joe Muggs for his excellent coverage of NARIP’s November 2011 session in The Guardian (“Matchmakers of the Zeitgeist: Soundtracking TV Shows”), which you can read here. NARIP’s Music Supervisor Sessions have featured the following A-listers: Film & TV Music Supervisors:
Advertising Agency Music Supervisors:
What attendees say about NARIP’s Music Supervisor Sessions (with film / TV and ad agency music supervisors) held earlier this year in London, Los Angeles, New York, San Francisco and Berlin:
£179 NARIP Members * (discount also applies for AIM, ASCAP, BASCA, BMI, BPI, MMF, MPA, IMRO and PRS members, as well as to subscribers to Music Week and SongLink) £199 Non-Members * Available to Professional and Executive NARIP Members only. THANK YOU Special thanks to Jody Millerchip at SAE Institute in London for her help with this series. ABOUT THE SUPERVISORS  Ryan Fitch, Music Producer, Saatchi & Saatchi Session #3 on Monday, February 27, 2012 (3:00 p.m.) As one of Saatchi & Saatchi’s most seasoned and gifted music producers, Ryan Fitch has spent the last 7 years integrating music into TV, radio and interactive campaigns for top global brands like Procter & Gamble, JCPenney, Miller, General Mills and Cadbury among others. Conservatory-trained and an avid fan of all music genres, Ryan has both the unique ability for finding that “perfect song” for his clients and the business savvy to close deals, whether it’s with a major work, such as John Lennon’s “Real Love” or music from an obscure indie artist. A lifelong musician with more than 16 years of experience in the music industry and an extensive background in audio engineering and digital audio workstations, Ryan understands the creation of music in today’s landscape on every fundamental level. During his tenure, Saatchi New York has earned several distinguished awards, including the prestigious Cannes award for Agency of the Year. Ryan was also named one of the “Top Music Ad Agency Executives” by the National Assn. of Record Industry Professionals. Jessica Dierauer, Executive Producer of Music and Creative Content, Young & Rubicam Session #4 on Monday, February 27, 2012 (6:30 p.m.) Based out of Y&R’s flagship New York office, Dierauer is responsible for everything related to music — from licensing tracks and hiring composers, to creating new opportunities for Y&R’s clients throughout the entertainment industry. She previously served as executive content producer for Y&R New York where for the past two years she has produced and executed integrated campaigns, Web sites, new media applications and events for clients like LG, Office Depot and Malaria No More. WHEN Session #4 with Young & Rubicam’s Jessica Dierauer Monday, February 27, 2012 (6:30 p.m.) 6:00 p.m. – Registration and networking 6:30 p.m. – Program begins 8:15 p.m. – Break 9:30 p.m. – Program ends WHO SHOULD ATTEND Artist Managers, Producers & Artist Reps A&R, Artist Development and Marketing Executives Record, Distribution & Music Publishing Executives Music & Entertainment Attorneys Anyone seeking placement opportunities in advertising and branding campaigns. WHERE SAE Institute London 297 Kingsland Road E8 4DD London Click here for map. 2 WAYS TO REGISTER 1. Online: www.narip.com (just scroll down) 2. Phone: 0203-002-8247 (UK local call) or email mary AT narip DOT com Advance RSVP encouraged. Pre-paid admission guarantees seating. No refunds. We appreciate your cooperation. QUESTIONS? Call us at 0203-002-8247 (UK local call) or email mary AT narip DOT com. SOURCES FOR MORE INFO NARIP Ryan Fitch’s Blog Saatchi & Saatchi Young & Rubicam Get connected. Stay connected. The National Association of Record Industry Professionals promotes career advancement, education and good will among record executives. . |
| 2012-02-28 | In London – NARIP Ad Agency Music Supervisor Session #1: Jessica Dierauer **SOLD OUT**
Intimate Meeting & Pitch Session With Music Supervisor from Top New York Ad Agency: Young & Rubicam’s Jessica Dierauer on Tuesday, February 28, 2012 (3:00 p.m.) at SAE Institute London, UK is SOLD OUT
Voted #1 Ad Agency Music Supervisor by her peers in NARIP’s 2011 Best In The Biz annual survey, Jessica Dierauer is Executive Producer of Music & Creative Content at Young & Rubicam, one of the leading ad agencies in the world. She is also our special guest at NARIP’s next Music Supervisor Session in London. Dierauer selects, commissions and places music for global advertising campaigns for the world’s most recognizable brands. In NARIP’s intimate session, you get to meet and pitch her for current opportunities. Come meet this career-maker. SUCCESS STORIES & BACKGROUND NARIP members have made placements through these limited enrollment sessions, including most recently Peter Kimmel who has secured multiple placements. These include placing “The Big One” in the film Chronicle, “Soul of a Man Never Dies” in an episode of True Blood and “Jhiara” in an episode of Dexter following NARIP sessions with Andrea von Foerster and Gary Calamar earlier this year in Los Angeles. You can read more about it here. Placements secured and professional relationships formed through these meetings are so good that we felt this format would work well for those who represent catalogs and/or seek intimate pitch opportunities with the best (and busiest) ad agency music supervisors in the business. Limited to 15 people, NARIP’s sessions enable you to get to know the supervisors and more importantly, enable them to get to know you. At private sessions this year in Los Angeles, New York, San Francisco, Berlin and London participants were able to pitch for current opportunities on the spot, receiving instant feedback as to whether a song was appropriate or not, and WHY. This valuable feedback makes better pitches – and ultimately, placements – possible. In some cases, participants even had time to re-work their music to better fit a supervisors’ needs. Above all, attendees MET key players in the modern music business, paving the way for future opportunities and giving them an edge in a highly competitive market. At our next session in London, participants will have the opportunity to pitch music for specific opportunities for current campaigns and get immediate, direct feedback from one ad agency music supervisor. A NEW ACCESS POINT “We have created an access point that wasn’t available before,” says Tess Taylor, president of the National Association of Record Industry Professionals (NARIP) and creator of the series. “We’re thrilled with the success of these sessions in London, Los Angeles, New York, San Francisco and Berlin, as are participants. This broadens the access to music, access that might otherwise not exist. We’re grateful for the positive reception we received in London at our first sessions there in November, and look forward to bringing many more to this city that has produced some of the best-loved music in the world.” NARIP’s sessions diversify potential usage of music and are appropriate for those who represent catalogs of all sizes. NARIP MUSIC SUPERVISOR SESSIONS IN THE NEWS Special thanks to Joe Muggs for his excellent coverage of NARIP’s November 2011 session in The Guardian (“Matchmakers of the Zeitgeist: Soundtracking TV Shows”), which you can read here. NARIP’s Music Supervisor Sessions have featured the following A-listers: Film & TV Music Supervisors:
Advertising Agency Music Supervisors:
What attendees say about NARIP’s Music Supervisor Sessions (with film / TV and ad agency music supervisors) held earlier this year in London, Los Angeles, New York, San Francisco and Berlin:
£179 NARIP Members * (discount also applies for AIM, ASCAP, BASCA, BMI, BPI, MMF, MPA, IMRO and PRS members, as well as to subscribers to Music Week and SongLink) £199 Non-Members * Available to Professional and Executive NARIP Members only. THANK YOU Special thanks to Jody Millerchip at SAE Institute in London for her help with this series. ABOUT THE SUPERVISORS Jessica Dierauer, Executive Producer of Music and Creative Content, Young & Rubicam Session #1 on Tuesday, February 28, 2012 (3:00 p.m.) Based out of Y&R’s flagship New York office, Dierauer is responsible for everything related to music — from licensing tracks and hiring composers, to creating new opportunities for Y&R’s clients throughout the entertainment industry. She previously served as executive content producer for Y&R New York where for the past two years she has produced and executed integrated campaigns, Web sites, new media applications and events for clients like LG, Office Depot and Malaria No More. Ryan Fitch, Music Producer, Saatchi & Saatchi Session #2 on Tuesday, February 28, 2012 (6:30 p.m.) As one of Saatchi & Saatchi’s most seasoned and gifted music producers, Ryan Fitch has spent the last 7 years integrating music into TV, radio and interactive campaigns for top global brands like Procter & Gamble, JCPenney, Miller, General Mills and Cadbury among others. Conservatory-trained and an avid fan of all music genres, Ryan has both the unique ability for finding that “perfect song” for his clients and the business savvy to close deals, whether it’s with a major work, such as John Lennon’s “Real Love” or music from an obscure indie artist. A lifelong musician with more than 16 years of experience in the music industry and an extensive background in audio engineering and digital audio workstations, Ryan understands the creation of music in today’s landscape on every fundamental level. During his tenure, Saatchi New York has earned several distinguished awards, including the prestigious Cannes award for Agency of the Year. Ryan was also named one of the “Top Music Ad Agency Executives” by the National Assn. of Record Industry Professionals. WHEN Session #1 with Young & Rubicam’s Jessica Dierauer Tuesday, February 28, 2012 (3:00 p.m.) 2:30 p.m. – Registration and networking 3:00 p.m. – Program begins 4:15 p.m. – Break 5:30 p.m. – Program ends WHO SHOULD ATTEND Artist Managers, Producers & Artist Reps A&R, Artist Development and Marketing Executives Record, Distribution & Music Publishing Executives Music & Entertainment Attorneys Anyone seeking placement opportunities in advertising and branding campaigns. WHERE SAE Institute London 297 Kingsland Road E8 4DD London Click here for map. 2 WAYS TO REGISTER 1. Online: www.narip.com (just scroll down) 2. Phone: 0203-002-8247 (UK local call) or email mary AT narip DOT com Advance RSVP encouraged. Pre-paid admission guarantees seating. No refunds. We appreciate your cooperation. QUESTIONS? Call us at 0203-002-8247 (UK local call) or email mary AT narip DOT com. SOURCES FOR MORE INFO NARIP Ryan Fitch’s Blog Saatchi & Saatchi Young & Rubicam Get connected. Stay connected. The National Association of Record Industry Professionals promotes career advancement, education and good will among record executives. . |