Past Events 2015 to 2023

Harness the Power of an Independent Commissioned Sales and Marketing Agent to Exploit and Monetize Your Music!

A NARIP Series: Intimate Pitch Meetings with Top Synch Agents

Is your music getting to decision-makers – people who can say YES and write a check?

The Synch Agents* featured in NARIP Pitch Sessions are among the top sales and marketing executives who actively place music owned by songwriters, composers and independent music publishers.

Many music buyers – directors, producers and music supervisors – name these Synch Agents as among their go-to music providers. These Agents, who NARIP has researched and interviewed, have placed thousands of songs in blockbuster films, hit television shows, trailers, global promotion and advertising campaigns, and video games.

At NARIP’s intimate sessions, you get to meet and pitch Synch Agents for current placement opportunities and representation, and get immediate feedback.

Come meet these career-makers.

BACKGROUND

Since 2011, NARIP Music Supervisor Pitch Sessions have secured over 1,000 placements in blockbuster films, hit television series, global promotion and advertising campaigns, and trailers for NARIP members.

NARIP members have also secured publishing deals and formed creative collaborations too numerous to mention as a direct result of these NARIP’s Sessions.

Topics

Access multiple potential buyer placemente
Trends in synch licensing and agent deals
Exclusive, non-exclusive, single-song deals
Budgets and fee ranges
Royalties, copyright ownership, rights retention
Fees and deal points between synch agents and their clients
Which synch agents seek a transfer of copyright(s) for their services, and under what circumstances
Song re-titling

Small, focused NARIP Sessions enable one-on-one time and immediate direct feedback to music presented by participants. At hundreds of NARIP Sessions, we asked every guest music supervisor how to better market music to them. Their one consistent piece of advice? Get representation!

At NARIP Synch Agent Pitch Sessions, limited to 16 people, you get to know the synch agents and they to get to know you.

Most important, attendees meet these key players, paving the way for possible representation and ongoing opportunities, and giving them an edge in a competitive market.

* Synch Agent: A synchronization or “synch” agent represents music copyrights – either the composition, the sound recordings, or both. They pitch music to buyers and their representatives, including to music supervisors. Synch agents are typically compensated on a commission basis and do not own or control the copyrights they represent. While synch agents usually focus on entertainment and media exploitations, traditional songplugger services also include placement of represented songs with recording artists.

What is a Synch Agent (and WHY you need one)? View video (:60 seconds)

WHAT TO EXPECT AT A NARIP SYNCH AGENT PITCH SESSION:

PREPARATION IS KEY

As with NARIP Music Supervisor Pitch Sessions, NARIP’s Synch Agent Pitch Sessions are limited to an enrollment of just 16 people. About one week prior to NARIP’s Session, all registrants will get a brief of the guest’s then-CURRENT music needs. Each registrant will have a chance to pitch in response to the music briefs provided and get immediate feedback to music pitched. Each participant must submit 7 songs (MP3s only please) 36 hours prior to NARIP’s Synch Agent Pitch Session. Please note that due to time constraints you will only be able to pitch your TOP 3 songs for consideration and immediate feedback (more, if time permits). This process takes the mystery out of why a piece of music does or doesn’t fit. On-the-spot feedback enables registrants to re-work tracks and re-submit, which creates a much higher probability to get them licensed (choose well!).

If you do not have music that matches the current needs of the guest, fear not! You can still attend and present the top three songs in your catalog. Make sure the songs are unique and captivating. This is helpful because a music supervisor’s needs change constantly. To optimize impact of music you pitch at NARIP’s Synch Agent Session, we highly recommend that you target the briefs.

In addition to pitching for current placement opportunities, NARIP’s guest Synch Agents will consider music pitched for representation.

Good luck and see you there!

BEFORE NARIP’S SYNCH AGENT PITCH SESSION:

NARIP prepares a one-sheet for each participant including your photo and bio for the guest to use and review at the event, and to take with him after the event. We will request your photo and bio one week prior to the event. In preparing these materials, we recommend you focus on brief career highlights in your bio and have a professional photo available.
Approximately 5 to 7 days prior to NARIP’s Session, you will be sent a project brief describing several cues needed for a current project(s) of our guest speaker. These often include reference songs or links so that you can hear exactly what he seeks or needs to replace.
You will submit your tracks with writer, publisher and other rights holder information that will also be supplied to the music supervisor during and after NARIP’s Session.
You will get submission and meta-tagging guidelines, and mentoring as to how best to prepare your music for submission.

DURING NARIP’S PITCH SESSION:

You will get to play at least three songs (sometimes more, if time permits) for the guest music supervisor who will provide feedback to you for each one.
NARIP moderator asks very specific questions to help participants learn and understand how to modify their tracks to make these more place-able for the guest supervisor’s specific needs at hand.

AFTER NARIP’S PITCH SESSION:

NARIP provides guest music supervisor with participant one-sheets and all music from NARIP’s Session, including notes detailing the guest music supervisor’s interest in specific tracks.
If requested by guest music supervisor, NARIP conveys additional tracks, remixes, instrumentals etc. to him.
If approved by guest music supervisor, NARIP provides his contact details to registrants.

DON’T GET LOST IN THE CROWD: SMALL IS THE NEW BIG NARIP Sessions are deliberately kept small and intimate, which is just one reason they work so well and why participants have enjoyed over 1,000 placements to date. Limited enrollment of 16 people per session guarantees that registrants meet and get face-time with our guest. OVER 1,000 PLACEMENTS FROM NARIP MUSIC SUPERVISOR SESSIONS

Our small format works! NARIP Session participants have placed over 1,000 tracks as a direct result of NARIP Music Supervisor Sessions. Other benefits include new publishing deals for NARIP members, creative collaborations and co-writes, strategic introductions to other music supervisors and placement experts, new representation for composers and much more. NARIP’S BIGGEST PLACEMENT TO DATE : VODAFONE Click here to read about NARIP’s biggest placement to date in a Vodafone campaign (Oct 2014) that paid handsomely and launched a career. Other brand placements include McDonalds and AT&T ads, among others. Placements secured and professional relationships formed through NARIPs music supervisor sessions have earned praise and many placements! See TESTIMONIALS and PLACEMENTS sections below.

ABOUT STEVEN SCHARF

Steven Scharf Entertainment was formed in 1991 to manage and develop the careers of independent record producers and recording artists. At that time, Steven aligned himself in a joint partnership with Freddy and Caroline Bienstock of Carlin America, Inc. – one of the most prestigious independent music publishers in the world where he served as Senior V.P. Creative for Carlin America, overseeing the licensing of well established songwriters and artists such as AC/DC, Jim Steinman (Meat Loaf), The Lovin’ Spoonful, The Turtles, James Brown, Bobby Darin, and Billie Holiday. Prior to the creation of Steven Scharf Entertainment, Steven Scharf spent nearly 30 years working in the recording industry as a record producer, head of A&R, and talent manager. His career began in 1969, when he was privileged to apprentice at the famed Muscle Shoals studio in Sheffield. Alabama. While there he worked with legendary artists as The Rolling Stones, Aretha Franklin, Boz Scaggs, Lynyrd Skynyrd, R.B. Greaves, and with such producers and engineers as Ahmet Ertegun, Jerry Wexler, Tom Dowd and Steve Smith. As his career progressed, Steve moved on to work at GSF Records in the early 70’s and held a staff editorial position at Cashbox Magazine. In 1976 Larry Uttal tapped him to become Head of A&R at Private Stock Records, where he oversaw A&R for such artists as The Mighty Pope, Blondie, Robert Gordon & Link Wray, Benny Mardones, Rupert Holmes, The Dirty Angels and Samantha Sang. Steve produced many artists during the late 70’s, early 80’s such as Robin Lane and the Chartbusters, Bob Halligan and Duke Jupiter (Motown). In recent years Steven Scharf Entertainment has become an LLC, and evolved to include the film and television licensing of many new independent artists. Following the trend of major television shows which prefer “one-stop shopping”, Steven began representing a diverse range of artists who control their own publishing and masters. This approach created an advantage with music supervisors who require music on short deadlines; removing the need to negotiate at length with publishing companies and record labels. TESTIMONIALS

Click here to read what people say about NARIP’s Music Supervisor Sessions.

NARIP MUSIC SUPERVISOR SESSIONS IN THE NEWS, PLACEMENTS & SUCCESS STORIES See full list of NARIP placements to date here. For articles in Music Connection, Digital Music News, The Guardian (UK), MusikWeek (UK), Musik Woche (Germany), Taxi Drivers: Cinema e Cultura Metropolitano (Italy), MEOW (US) and other publications, and to read about NARIP members and session participants who have made over 1,000 placements as a direct result of NARIP Sessions, click here.

Read about NARIP Music Supervisor Pitch Sessions in Digital Music News HERE

THANK YOU Special thanks Steve Addabbo at Shelter Island Sound for hosting NARIP’s event.

Tuesday, June 5, 2018 6:30 p.m. – Registration and networking 7:00 p.m. – Program begins 8:15 p.m. – Break 10:00 p.m. – Program ends WHERE Shelter Island Sound 40 West 27th Street (btw 5th & 6th Ave) New York, NY 10001 NOT IN NY? PITCH REMOTELY OR VIA SKYPE If you can’t be here in person, at most locations we can accommodate pitching via Skype, or we can present material and provide the guest music supervisor’s feedback to you directly. If you have questions about this, please call or email us at 818-769-7007 or info@narip.com. PER-SESSION, PER PERSON COST $279 NARIP Members * $359 Non-Members * Available to Professional and Executive NARIP Members only (not to monthly members). Members please log in to receive discount. NARIP reserves the right to refuse admission to anyone. 2 WAYS TO REGISTER 1. Online: NARIP.com (just scroll down) 2. Phone: 818-769-7007 Pre-paid admission guarantees seating, NARIP Sessions sell out. All ticket sales final. No refunds. We appreciate your cooperation. FOLLOW US, LIKE US, LOVE US! TWEET ABOUT NARIP & OUR EVENT!

@NARIP
#NARIPSynch

QUESTIONS Call us at 818 769 7007 or email info AT narip DOT com. SOURCES FOR MORE INFO Steven Scharf NARIP NARIP. Career acceleration. Get connected. Stay connected.____________________________________________________ The National Association of Record Industry Professionals promotes career advancement, education and good will among record executives.

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